The Cultural Sociology of Art and Music
indgår i Cultural Sociology serien
- Indbinding:
- Hardback
- Sideantal:
- 468
- Udgivet:
- 17. December 2022
- Udgave:
- 22001
- Størrelse:
- 153x30x216 mm.
- Vægt:
- 713 g.
- 2-3 uger.
- 12. Oktober 2024
På lager
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Cultural Sociology of Art and Music
This edited collection develops the Strong Program¿s contribution to the sociological study of the arts and places it in conversation with other cultural perspectives in the field. Presenting some of the newest and most original research by both renowned figures and early career scholars, the volume marks a new stage in the development of the cultural sociology of art and music.
The chapters in Part 1 set new agendas by reflecting on the field¿s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor¿s introductionand Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.
The chapters in Part 1 set new agendas by reflecting on the field¿s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor¿s introductionand Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.
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