Bøger udgivet af Transcript Verlag

Are anxiety or dread negative stages before freedom, a confrontation with humans' own mortality and finitude? Joana Serrado inaugurates anxiousness as a category of mystical knowledge in this innovative historical and philosophical study. Based on the life and mystical writings of Joana de Jesus, a Cistercian nun, intellectual disciple of Teresa of Avila, this study shows the cultural embeddedness of anxiousness: a feeling akin to the Portuguese term »saudade« (yearning, Sehnsucht). A mystical project that reshapes feminist principles of autonomy, agency and desire.

For more than 40 years, hardcore and punk have promised to offer an alternative to what is perceived as the norm and the mainstream. Hardcore Research: Punk, Practice, Politics provides a comprehensive insight into some of the most active, outspoken, and widely received scholarly positions in the academic discourses on hardcore and punk and combines them with a variety of new and emerging voices. The book brings together scholars with personal ties to past and present hardcore and punk scenes, who present both insightful and critical examinations of the rich and varied histories of this subcultural phenomenon and its current reverberations at the intersection of cultural practice and academic research.

We live in a critical moment in history, often called the »Anthropocene«, that is defined by unprecedented scales of uncertainty. Natalie Dederichs draws on insights from the new materialisms about the entangled nature of planetary existence and combines them with approaches to aesthetics from fields as diverse as reader-response criticism, phenomenology, Gothic and media studies. She introduces a poetics of atmospheric re(lation)ality as a necessary component of any ecological engagement with fiction that fully embraces literary encounters with the inaccessible and elusive as expressed in uncanny atmospheric reading experiences.

Music festivals have become important events for people to experience music collectively and take a break from their everyday lives. Companies and institutions like to use music festivals as opportunities for advertising their products and services through sponsorship. Dominik Nösner examines professional stakeholder's assessments of the market as well as patterns of existing procedural elements of sponsorship culture, factors determining existing communication and decision-making culture and interrelations between sponsors and audience with emphasis on university popular music festivals. Building on that, he further explores motivational constructs for popular music festival attendance via a survey study.

The American cultural imaginary is hungry for death, and thus representations of death are prominently repeated and serialized in US literature and media. Stella Castelli shows how American culture fetishizes death as part of a repetition compulsion which stems from the inability of language to satisfactorily grasp death. Taking an intermedial approach, she investigates the forms and tropes born from this preoccupation with death and conceptualizes its imagination alongside an appetite which manifests as repetitive encoding. These metaphors of food consumption provide a hermeneutic framing for analyzing representations of death across American literature and media.

In 2003, Norman M. Klein's docufable »Bleeding Through« raised questions of urban aesthetics and memory as part of the multimedia documentary »Bleeding Through: Layers of Los Angeles, 1920-1986.« Now, 20 years later, this important text is reissued along with several essays addressing its central themes, such as the aesthetics and politics of urban memory, the development of Los Angeles since the 20th century, the role of urban imaginaries in US politics, or media evolution in the 21st century. The volume also features a long interview with Klein and two docufables from Klein's celebrated study »The History of Forgetting: Los Angeles and the Erasure of Memory«, one being the kernel of the novella, the other imagining Walter Benjamin in L.A. Finally, the book contains links to two films featuring much of the multimedia material contained in the first edition.

Fiction is generally understood to be a fascinating, yet somehow deficient affair, merely derivative of reality. What if we could, instead, come up with an affirmative approach that takes stories seriously in their capacity to bring forth a substance of their own? Iconic texts such as Mary Shelley's Frankenstein and its numerous adaptations stubbornly resist our attempts to classify them as mere representations of reality. Friederike Danebrock shows how these texts insist that we take them seriously as agents and interlocutors in our world- and culture-making activities. Drawing on this analysis, she develops a theory of narrative fiction as a generative practice.

Leaking water infrastructures, heritage tourism, investments in artworks, failing electronics: Durability lies at the heart of a wide range of seemingly unrelated phenomena. In today's economies, which rest on ever-larger stocks of infrastructures, buildings, machinery and household goods, durable things are both a hugely significant source of wealth and a constant source of struggle. The contributors argue that a deeper engagement with durability is essential for reaching an understanding of how economies work; and for envisaging alternative economies built on principles of environmental stewardship and social justice. Placing durability at the core of economic analysis, this volume explores the work and tensions involved in the production and valuation of durability to outline a new agenda for more sustainable economies.

In the genre of horror, elderly people are often used as a trope to evoke both a fear of death and a fear of aging. Old age is therefore equated with bodily, mental, or social decline. The contributors of this book investigate what exactly we are afraid of when we posit old age as a source of horror. The aim is to harness the thrills and pleasures of horror to think about how quality of life can be improved in old age and how elderly people can be better integrated in our ever fearful and suspicious societies.

The big societal challenges, such as climate change and public health, call for innovative approaches to address them. The contributors of this book present new ways to tackle these challenges by inter- and transdisciplinary collaborations in light weight engineering. They introduce a framework for transdisciplinary collaboration, explore the potential of light weight engineering in the areas of climate protection, resource efficiency, and sustainable mobility. To do so, they exemplify results and limitations of transdisciplinary collaboration based on three case studies: the optimization of rescue tools, the re-design of products to foster re-use and recycling processes in companies and society, and the additive manufacturing of individualized assistive tools and prostheses.

In the global context of the Great Acceleration, things and people have been on the move more than ever before. Moritz Frischkorn takes a fresh look at recent performing arts practices that deal with everyday objects on and beyond the stage. Contrasting these practices with the business field of logistics, he examines the aesthetic and ethical concerns of moving things. Drawing on concepts from performance as well as Black studies and philosophy, and based on an artistic-research methodology, the book formulates a notion of more-than-human choreography as an ecologically informed, infinitely indebted practice of living within the material world.

How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.

What role can the humanities play in shaping our common future? What are the values that guide us in the 21st century? How can we unleash the potential the humanities offer in a time of multiple crises? This volume tackles some of these fundamental questions, acknowledging and developing the changing role of academic discourse in a turbulent world. This timely book argues that the humanities engender conceptual tools that are capable of reconciling theory and practice. In a bold move, we call for the humanities to reach beyond the confines of universities and engage in the most urgent debates facing humanity today - in a multidisciplinary, transformative, and constructive way. This is a blueprint for how societal change can be inclusive and equitable for the good of humans and non-humans alike.

Public and private, traffic and open space, planned and spontaneous - our idea of a city is characterised by opposites. However, the contributors to this bilingual book show that these poles can also be consciously connected. The urban building blocks from São Paolo present surprisingly idiosyncratic city scenes: People dancing along the motorway, strolling through the stone archipelago, splashing around in front of the city skylineMany of the case studies are linked to the ideas of the Brazilian urban planner Francisco Prestes Maia. As early as in the 1930s, he developed concepts that combine traffic, open space and architecture - a surprisingly contemporary approach.Öffentliches und Privates, Verkehr und Freiraum, Geplantes und Spontanes - unsere Stadtvorstellung ist geprägt durch Gegensätze. Dagegen zeigen die Beitragenden in dem zweisprachigen Band, dass sich diese Pole auch bewusst verknüpfen lassen. Die Stadtbausteine aus São Paolo präsentieren unerwartet eigenwillige Stadtszenen: Tanzende entlang der Schnellstraße, Flanierende durch das Steinarchipel, Planschende vor der StadtsilhouetteViele der vorgestellten Projekte sind verknüpft mit den Ideen des brasilianischen Stadtplaners Francisco Prestes Maia. Schon in den 1930er Jahren entwickelte er Konzepte, die Verkehr, Freiraum und Architektur zusammendenken - ein überraschend aktueller Ansatz.

Studying the life situations of trans persons reveals preceding and ongoing political, societal and cultural transformations. This ethnographic study concerns individuals in Andalusia, Southern Spain, who do not fit the sex and gender assigned to them at birth. Christoph Imhof thus investigates issues leading back to the repressive situation during the dictatorship of Franco and to contemporary endeavours and achievements regarding acceptance, citizenship and self-determination. He highlights the pioneering role that Andalusia has played within Spain regarding trans issues since the late 1990s and shows how trans persons in Southern Spain have experienced the growing social, medical and legal acceptance of their gender non-conformity.

What are the characteristic features of avatar-based singleplayer videogames, from Super Mario Bros. to Grand Theft Auto? Rune Klevjer examines this question with a particular focus on issues of fictionality and realism, and their relation to cinema and Virtual Reality. Through close-up analysis and philosophical discussion, Klevjer argues that avatar-based gaming is a distinctive and dominant form of virtual self-embodiment in digital culture. This book is a revised edition of Rune Klevjer's pioneering work from 2007, featuring a new introduction by the author and afterword by Stephan Günzel, Jörg Sternagel, and Dieter Mersch.

How did the relationship between the politically very disparate theorists Carl Schmitt and Otto Kirchheim shape their political thinking? Hubertus Buchstein investigates the personal, political, and theoretical dimensions between the infamous legal theorist Schmitt and his former student Kirchheimer, who became a member of the Frankfurt School in exile. The various links between them illuminate crucial moments in the recent history of political ideas and legal theory in German and European contemporary history as well as transatlantic intellectual history. Furthermore, it touches upon the role of German exiles in the American academic system, anti-Semitism, as well as German-Jewish relations in the 20th century.

The imaginaries of northern landscape have not remained static in the era of ecological crisis but play a pivotal function within the geopolitics of visual representation. Such imaginaries can sanction those dominant discourses that frame environmental catastrophe as the consequence of undifferentiated human activity, but, it is argued, they also have the capacity to represent a complexity and heterogeneity frequently absent from this broad discursive field. The contributors to this volume engage with the practice, curation and utilization of photography and other lens-based media, to examine the critical role of visual culture in shaping and interrogating conceptions of environmental catastrophe.

»Fact« is one of the most crucial inventions of modern times. Susanne Knaller discusses the functions of this powerful notion in the arts and the sciences, its impact on aesthetic models and systems of knowledge. The practice of writing provides an effective procedure to realize and to understand facts. This concerns preparatory procedures, formal choices, models of argumentation, and narrative patterns. By considering »writing facts« and »writing facts«, the volume shows why and how »facts« are a result of knowledge, rules, and norms as well as of description, argumentation, and narration. This approach allows new perspectives on »fact« and its impact on modernity.

Feminist movements from the Americas provide some of the most innovative, visible, and all-encompassing forms of organizing and resistance. With their diverse backgrounds, these movements address sexism, sexualized violence, misogyny, racism, homo- and transphobia, coloniality, extractivism, climate crisis, and neoliberal capitalist exploitation as well as the interrelations of these systems. Fighting interlocking axes of oppression, feminists from the Americas represent, practice, and theorize a truly »intersectional« politics. Feminisms in Movement: Theories and Practices from the Americas brings together a wide variety of perspectives and formats, spanning from the realms of arts and activism to academia. Black and decolonial feminist voices and queer/cuir perspectives, ecofeminist approaches and indigenous women's mobilizations inspire future feminist practices and inform social and cohabitation projects.With contributions from Rita Laura Segato, Mara Viveros Vigoya, Yuderkys Espinosa-Miñoso, and interviews with Anielle Franco (Brazilian activist and minister) and with the Chilean feminist collective LASTESIS.

A World of Changemakers - how can a hybrid arts lecture series concept in e-learning create attitudes and shape skills as a playful and critical thinking navigator in an uncertain world? To re-create meaning is an interdisciplinary cross-sectional task of our zeitgeist in a civil society. The international contributors represent key roles in relevant philosophical, technical or economic debates, non-university community art & design projects or companies.

»Fictional Practices of Spirituality« provides critical insight into the implementation of belief, mysticism, religion, and spirituality into worlds of fiction, be it interactive or non-interactive. This first volume focuses on interactive, virtual worlds - may that be the digital realms of video games and VR applications or the imaginary spaces of life action role-playing and soul-searching practices. It features analyses of spirituality as gameplay facilitator, sacred spaces and architecture in video game geography, religion in video games and spiritual acts and their dramaturgic function in video games, tabletop, or LARP, among other topics. The contributors offer a first-time ever comprehensive overview of play-rites as spiritual incentives and playful spirituality in various medial incarnations.

Through a series of intricate informal processes and human-centric institutional arrangements, beneficiaries of South African government-subsidized housing force formally registered properties into informality. Sandile Mbatha explores the concept of informality in relation to how such beneficiaries challenge predominant understandings of property relations. These practices are embedded in complex urban tenure dynamics that prevail in post-colonial societies; societies, in which the state's imposition of predominantly western forms of tenure and property rights ignore the anthropological nature of housing.

What is a libidinal economy? How are we psychically hooked into the circuits of the capitalist economy? The contributors to this book question the relevance of a concept that began reappearing in critiques and analyses of capitalist societies since the financial crisis of August 2007. The chapters stretch back to the term's introduction with Freud via Lyotard through to the ways online platforms put our psyches to work. »Libidinal Economies of Crisis Times« is a collection of essays by leading scholars about the connections between economies, pleasure, and desires.

A guided tour through the nuanced politics of architectural illusion, »The Vatican to Vegas« takes the reader from lavish Baroque fantasies of the seventeenth century to the Electronic Baroque of today. The >scripted spaces< described by Norman Klein are punctuated with devices widely used in special effects since 1500: shocks, surprise twists, grand fakes and copies. Since its publication 2004, »The Vatican To Vegas« has emerged as a classic across many fields, from media, architecture, to the fine arts and urban planning. Its timing was ironic: Klein assumed in 2004 that the future of scripted illusion was about to radically shift. This new edition brings the ironic story up to the present, and into the digitally overwhelmed >scripted spaces< of the future.

In recent years there has been a shift in how diversity and representation are discussed in the German cultural sector. The PostHeimat network, a three-year-long experiment in networked solidarity between major public German theatres and migrant actors and directors, discusses in this volume how to think about Heimat after migration. The contributions document the emergence, frictions, and difficulties in migrant theatre initiatives, being reflexive, research-based, and driven by cultural-policy-developing components. Emerging from encounters and plays, this study incorporates the critical perspectives of practitioners, scholars, activists, and artists from these initiatives and does not shy away from a frank reflection on failure and disappearance.

Berlin is increasingly emerging as a hub of Arab intellectual life in Europe. In this first study of Arab culture to zoom in on the thriving metropolis, the contributors shed light on the dynamics of transformation with Arabs as agents, subjects, and objects of change in the spheres of politics, society and history, gender, demographics and migration, media and culture, and education and research. The kaleidoscopic character of the collection, embracing academic articles, essays, interviews and photos, reflects critical encounters in Berlin. It brings together authors from inter- and multidisciplinary fields and backgrounds and invites the readers into a much-needed conversation on contemporary transformations.

The sustained expansion of the life span and the attendant demographic changes in the West have fuelled the production of cultural texts that explore alternative representations of aging and old age. The contributors to this volume show how artists in science-fiction, fantasy and the avant-garde develop visions of late life transformation, improvisation and adaptation to new circumstances. The studies particularly focus on perspectives on aging that challenge the predominant narratives of decline as well as fantasies of eternal youth, as defined by neoliberal notions of health, able-bodiedness, agency, self-improvement, progress, plasticity and productivity.

Against the background of the media commercialization reform since the 1990s in China and drawing on the case of »X-Change« (2006-2019), Wei Dong investigates the affective meaning-making mechanism in the multimodal text of Chinese reality TV. The focus lies on the ways in which emotions are appropriated and disciplined by regimes of power and identity, and the ways in which affect - in this case primarily kuqing (bitter emotions) communicated by the material and the body - have the potential to challenge or exceed existing relations of power in the mediascape. Wei Dong shows how Chinese reality TV provides a historical and theoretical opportunity for understanding the affective structures of contemporary China in the dynamic process of fracture and integration.