Bøger i New Trends in Translation Studies serien

The present study examines the interrelation between literary texts, their successive retranslations and the corresponding historical, social and cultural backgrounds that inform these versions. The book considers how translations of works may change over time and how this influences perceptions of the translated authors themselves.

To date, translation theory offers no satisfactory response to the multidimensional challenge of rerendering postmodern texts. As the existence of linguistic and cultural plurality in these writings is now widely acknowledged, many theorists recognise the impossibility of achieving complete equivalence in translation. If the fragmented, decentred, postmodern source text (ST) is to be rerendered in the target language (TL), a process of 'rewriting' is deemed necessary. Nevertheless, such an approach, if taken too far, may not always be the most appropriate. Focusing on the French journalist and novelist Claude Sarraute, whose postmodern writings offer a suitable body of texts for study, this book seeks to determine effective means by which the translator can first read and analyse postmodern STs and subsequently preserve their intricacies in the TL. To provide an original response to this challenge grounded in both theoretical and practical evidence, the author refers to the work of the Bakhtin Circle; concepts from literary theory, stylistics and translation theory; and translations of a body of texts as variegated in character as those of Sarraute. Using the approach which she recommends, the author then explains how she rerenders in English a collection of Sarraute's polyphonic writings.

Translations of Cervantes' "Don Quijote" (1605) take pride of place among foreign literature in China. In this book, a corpus-based stylistic study is used to explore two contemporary Mandarin Chinese translations of "Don Quijote": those by Yang Jiang (1978) and Liu Jingsheng (1995).

This volume explores the expansion of audiovisual translation (AVT) studies and practices within European institutions, universities and businesses. Contributors focus on the intersections of AVT with cultures and languages and address the important issue of media accessibility.

Subtitling films in another language becomes especially complex when the original language deviates from its standard form. Films that feature non-standard pronunciation, dialects or other varieties of language, especially when juxtaposed with more standard uses, are said to display linguistic variation As language use is central to characters' identities and to a film's plot, it is essential to retain the source language (SL) specificity as fully as possible in the target language (TL) subtitles so the target audience can experience the film as authentically as possible. Given its considerable difficulty, subtitling in this manner is often advised against, avoided or, when attempted, subjected to considerable criticism. This book focuses on a collection of British and French films selected for the range of approaches that they adopt in portraying linguistic variation. Each chapter explores the challenges posed by the subtitling of such linguistic difference in the given films and the corresponding solutions offered by their subtitlers. Drawing on these findings and referring to contemporary thinking in the field of translation studies, this book argues that with insight and skill, linguistic variation can be preserved in film subtitles.

This book aims to shed light on how translations of popular music contribute to fostering international relations by focusing on a case study of Turkish-Greek rapprochement in the last two decades. Drawing on a range of disciplines, the book explores the multifaceted nature of translation and music and their wide-ranging impact on society.

During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema's mass popularity. Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government's support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini's administration to early Italian-language talkies produced abroad and documents the state's role in initiating and encouraging Italians' habit of watching dubbed films.

This book addresses a gap in the study of audiovisual translation (AVT) carried out in minority languages by exploring the role played by translations appearing on the Basque Public Broadcasting Service in the promotion and development of the Basque language. Using the framework provided by descriptive translation studies, the author illustrates the socio-cultural context of AVT in the Basque Country, focusing on the dubbing from English to Basque of television animation for children. The most innovative aspect of the book lies in its cultural and descriptive approach. Following a corpus-based descriptive methodology, the study establishes a set of criteria for a contextual and linguistic analysis that embraces both the cultural and linguistic dimensions of translation and allows source texts to be compared with their translated versions at the macro- and micro-structural levels. The book uniquely offers a broad overview of the cultural context as well as a detailed analysis of the linguistic properties of the dubbed texts.

Like Mookie in Spike Lee's Do the Right Thing, translators are at the nexus between cultures, making difficult decisions with sometimes dramatic consequences. Drawing on the fields of translation studies, sociolinguistics and film studies, this book analyses the French subtitling of African American English in films from the USA.

This book explores the various options and techniques available to and used by translators when translating from English to Japanese. The work is rich in both the theory and practice of translation and contains numerous examples from popular texts, ranging from classics to detective novels to science fiction.

The increasing practice of remote interpreting (RI) by telephone and video link has profoundly changed the ways in which interpreting services are being delivered. Although clinical research on RI has reported positive results, empirical research in other settings, such as legal contexts, has demonstrated that RI can affect the quality of interpreter-mediated communication.This book investigates the possible effects of using RI on the quality of healthcare interpreting. Central to the research design are three series of simulated interpreter-mediated doctor¿patient encounters, each involving a different interpreter and using three different interpreting methods: face-to-face interpreting, telephone interpreting and video interpreting. These sessions were video recorded, transcribed and annotated according to categories previously established in interpreting studies. First, quantitative analyses of miscommunication and interaction management were carried out to identify potential relationships between message equivalence issues and interactional issues and to establish the possible influence of environmental and technological factors. These data were submitted to comparative, qualitative analyses, which were triangulated with the findings from the participants¿ perceptions, collected by means of thirty post-simulation interviews. The insights generated by this work are highly relevant for all users of RI to anticipate and overcome communication problems.

This volume presents a comprehensive, state-of-the-art overview of the different ways in which the two terms «politics» and «translation» interact. It affords an opportunity to look at translation as a highly complex activity that involves the participation of different agents with different backgrounds, orientations, ideologies, competences, goals and purposes. At the macro level, translation is seen as an activity carried out by gatekeepers ¿ translators, trans-editors, translation quality controllers, translation project managers, and the like ¿ to promote a certain narrative, achieve a goal or pursue an agenda. The ultimate aim of this volume is to shed light on how these various stakeholders explicitly or implicitly interpolate their cultural background, beliefs and values into the resulting text, thus overtly or covertly intervening to promote a certain theme or narrative.

Accessibility, understood as social integration, has been studied from many perspectives yet, due to our constantly changing environment, the concept is still in flux and needs to be reexamined.Within Translation Studies, audiovisual translation (AVT) has expanded the concept of translation activity and its growth has been exponential. In recent decades, AVT and accessibility studies have developed side by side, and the intersection of both fields has been at the heart of academic research as well as of professional practice.This collective volume showcases nine chapters written by specialists who approach the topic from different, yet complementary perspectives. All of them analyse the production of accessible translated material that requires adaptation to meet the needs and expectations of a multifarious audience, including older people, persons with sensory and cognitive disabilities, and those with limited digital knowledge.

«This comprehensive, insightful and well-researched work is an essential and timely contribution to sustaining the training of healthcare interpreters. It provides an important foundation for trainers, researchers and practitioners, based on a thorough and up-to-date reflection on the challenges and needs of healthcare interpreting today, and on the development of training materials for interpreter trainers carried out by the European project ReACTMe. It is a rich, powerful, compelling and much needed book in the field of healthcare interpreting studies.»(Dora Sales, Senior Lecturer, Department of Translation and Communication, Jaume I University, Spain)«This volume breaks new ground by examining health inequities through a pedagogical and justice-oriented lens in the context of healthcare interpreting in Spain, Italy and Romania. By foregrounding specialized training that targets both emerging interpreters as well as trainers, the authors offer a fresh look at teaching and learning for healthcare interpreters by offering authentic, creative resources that can be adapted for any national context.»(Melissa Wallace, Associate Professor of Translation and Interpreting Studies and Director of the Graduate Certificate in Translation & Interpreting Studies, University of Texas at San Antonio, USA)Medical Interpreting: Training the Professionals presents the results of the project Research & Action and Training in Medical Interpreting (ReACTMe) funded by the European Commission, which analysed the interpreting services offered in healthcare settings in Spain, Italy and Romania. This edited collection provides the reader not only with an update on the current situation regarding medical interpreting from different perspectives (decision makers, trainers, professional interpreters, healthcare providers and patients) but also with training resources and a proposal for an academic programme to teach medical interpreters. It is therefore ideal reading for medical interpreting trainers, researchers and practitioners. The book is also of interest to healthcare professionals as it includes a decalogue on how to work with interpreters in five languages.

Multilingual societies provide fertile ground for the exploration of translation practice. This book examines the relationship between translation-mediated multilingual practice and language ideology in Singapore, where power relations between the official languages, English and Chinese, pose challenges to intercultural communication.

Speech acts - such as requests, invitations and offers - pose particular challenges for dubbing translators due to cultural differences. This volume draws on data from over 700 episodes of twenty different television series and introduces a multidimensional model for capturing dominant patterns in translating speech acts.

Crime fiction is popular internationally despite its cultural specificity. This book offers an accessible analysis of how the choice of translation strategy can significantly affect representations of cultural identity in translations of crime fiction, identifying creative solutions for translation challenges.

This volume affords an opportunity to reconsider international connections and conflicts from the specific standpoint of translation as a dynamic, sociocultural activity. The chapters pivot around the relationships that are established between translation and ideology, re-narration, identity, cultural representation and knowledge reproduction.

A glance at the current state of the profession reveals a varied scenario in which Translation and Interpreting (T&I) constitute two interlingual processes usually performed by the same person in the same communicative situation or in different situations within the same set of relations and contacts. Although both practices call for somewhat different communicative competences, they are often seen as a single entity in the eyes of the public at large. T&I are thus found in relations of overlap, hybridity and contiguity and can be effected variously in professional practices and translation processes and strategies. Yet, when it comes to research, T&I have long been regarded as two separate fields of study. This book aims to address this gap by providing insights into theoretical and methodological approaches that can help integrate both fields into one and the same discipline. Each of the contributions in this volume offers innovative perspectives on T&I by focusing on topics that cover areas as diverse as training methods, identity perception, use of English as lingua franca, T&I strategies, T&I in specific speech communities, and the socio-professional status of translators and interpreters.

This volume offers a collection of articles by leading experts in the field that explore some of the current communication and information trends defining our contemporary world and impinging on the translation profession. The essays encourage intellectual reflection on the crucial role played by technology in the translation profession.

Audiovisual Translation Subtitles and Subtitling

Aims to study how politeness, and particularly face negotiation, is dealt with when subtitling between Chinese and English. This book offers a survey of developments in research on face management in Far East cultures and in the West. It demonstrates the nature of power relations between interlocutors changes from original to subtitled version.

This edited volume showcases essays revolving around diverse translation discourses and practices in China, Korea and Japan. The contributors bring together different areas of expertise, such as the history of translation, political activism and translation, literary translation, transcreation and the translation profession.

This collection of essays brings to the fore some of the most pressing concerns in the training of translators and interpreters, including the interconnections between didactics and research, advances in cognitive processes, quality assessment and socio-professional issues in translation and interpreting training.

Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between. Against this background, Dubbing, Film and Performance attempts to fill a gap in Audiovisual Translation (AVT) research by investigating dubbing from the point of view of film and sound studies. The author argues that dubbing ought to be viewed and analysed holistically in terms of its visual, acoustic and linguistic composition. The ultimate goal is to raise further awareness of the changes dubbing brings about by showing its impact on characterization. To this end, a tripartite model has been devised to investigate how visual, aural and linguistic elements combine to construct characters and their performance in the original productions and how these are deconstructed and reconstructed in translation through dubbing. To test the model, the author analyses extracts of the US television series Buffy the Vampire Slayer and its French dubbed version.