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The Last White Man

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From the internationally bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling changeOne morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.'Gorgeously crafted . . . The Last White Man concludes on a note of hope, a door jarred open just enough to let transcendence pour through' O, the Oprah Magazine 'The electric premise, borrowed from Kafka's The Metamorphosis, looks set to update a classic to make it urgently relevant' Evening Standard'A hypnotic race fable . . . In the hands of such a deft and humane writer as Hamid, a bizarre construct is moved far beyond any mere 'what if'' Guardian

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780241566572
  • Indbinding:
  • Hardback
  • Sideantal:
  • 192
  • Udgivet:
  • 11. August 2022
  • Størrelse:
  • 205x139x25 mm.
  • Vægt:
  • 266 g.
  • Ukendt - mangler pt..

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Beskrivelse af The Last White Man

From the internationally bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling changeOne morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.'Gorgeously crafted . . . The Last White Man concludes on a note of hope, a door jarred open just enough to let transcendence pour through' O, the Oprah Magazine 'The electric premise, borrowed from Kafka's The Metamorphosis, looks set to update a classic to make it urgently relevant' Evening Standard'A hypnotic race fable . . . In the hands of such a deft and humane writer as Hamid, a bizarre construct is moved far beyond any mere 'what if'' Guardian

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