Bøger udgivet af Marquand Books Inc

"'Jared Bark: Photobooth Pieces' brings together for the first time a body of work little known or seen for nearly forty years. The selection of pictures reproduced here covers a short but intense period of activity that the artist undertook in his SoHo loft during the first half of the 1970s."--page [ii].

Whether creating enormous exhibition spaces or designing living quarters for collectors and homes and studio facilities for artists, the acclaimed architect Max Gordon (1931-1990) shaped the physical settings of art in the world's major metropolises during his influential career. Following several decades of work with leading architectural firms in New York and London (during which he designed the headquarters of New Scotland Yard), in the early 1980s Gordon designed the first Saatchi Gallery in London, and went on to become celebrated and sought after as the art world's architect of choice, designing spaces for artists Elizabeth Murray, Jennifer Bartlett, Richard Serra and Joel Shapiro, and gallerists Paula Cooper, Brooke Alexander, Maeght-Lelong and Lorence-Monk in New York and Anthony d'Offay and Annely Juda in London. This first monograph offers a detailed overview of Gordon's projects for the art world, from the 100,000-square-foot exhibition space he designed for the Museo Nacional Centro de Arte Reina Sofia in Madrid to the SoHo home he remodeled for Richard Serra, demonstrating throughout his elegant use of light, space and minimal decoration, and displaying his gift for always highlighting the art.

Stéphane Mallarmé (1842-98) claimed to have learned English in order to read Poe, an American poet greatly admired by the French Symbolists. This volume reproduces at full size the first-edition bilingual publication of Le Corbeau / The Raven (Richard Lesclide, Paris, 1875), Mallarmé's prose translation of Poe's melancholy poem, including six commissioned illustrations by Édouard Manet--four that visually interpret specific stanzas of the poem, one that serves as the ex-libris and a cover image of a raven's head that functions as the poem's title. In addition, a new retranslation back into English of Mallarmé's text, which was both praised and criticized for its literalism, reveals the particular tenor and subtleties of his reading of Poe's verse and his feel, as a fellow poet, for the emotive and evocative power of language. The result is a circular exploration of the poem and its translation. The volume also reflects Mallarmé's specifications for layout, typeface and paper. This is the second in a series exploring Mallarmé in translation. The first, A Blow of Dice Never Will Abolish Chance, appeared in 2018; forthcoming is a translation of the second published collaboration between Mallarmé and Manet, Afternoon of a Faun (L'après-midi d'un faune).

When justice is at stake, artists have spearheaded challenging conversations. The work in this book bears witness to stories that challenge dominant paradigms. Among the 50 artists represented here are Carlos Amorales, Loretta Bennett, Mark Bradford, Willie Cole, Abraham Cruzvillegas, Ellen Gallagher, Glenn Ligon, Julie Mehretu and Wangechi Mutu.

In 2012, the Element 47 restaurant in Aspen, Colorado, decided to incorporate contemporary art into the dining experience. This book traces the design of the small locale, and provides in-depth interviews with the nine extraordinary participating artists on the topic of their processes and work.

"This book is published in conjunction with the exhibition Objects Are Closer Than They Appear at the Los Angeles Municipal Art Gallery, Barnsdall Art Park, February 2 to March 16, 2014."

This publication is part of a series of monographs from the Beijing-based gallery Ink Studio, featuring significant contemporary artists who work with Chinese brush and ink. Impulse, Matter, Form presents Chinese artist Zheng Chongbin (born 1961), whose work synthesizes Chinese and Western explorations in calligraphy and gesture.

Chen Haiyan (born 1955) is remarkable for her subversive rethinking of narrative in the populist and politicized medium of woodcut prints and the fine art of traditional brush painting. This volume surveys her surreal yet everyday imagery.

Chronicles Pasco's journey as an artist and the transformation of his work over the last fifty years

The Chrysler Museum of Art in Norfolk, Virginia, is renowned for its encyclopedic collection of glass with more than ten thousand glass objects spanning nearly three thousand years. Distinguished in the areas of nineteenth-century American, French, and English glass, including important works by Louis C. Tiffany, the Museum has recently made noteworthy acquisitions from the twentieth and twenty-first centuries.Glass: Masterworks from the Chrysler Museum of Art features seventy-five exceptional works from the collection and includes a history of glass at the Museum, from its founding in 1933 to the present. Lavishly illustrated, each work of art is accompanied by a detailed scholarly entry that explores the objectΓÇÖs significance and broader historical context.

Offers new perspectives on Ralph A. Blakelock (1847-1919) by addressing the modernity of his accomplishments. The works featured attest to a salient characteristic of our own time, namely, the artist's growing autonomy. The Unknown Blakelock explores this ongoing impact of Blakelock's work, which has previously been placed in the context of the exploration of his own contemporaries.