Bøger af Philip Gilbert Hamerton

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Examples Of Modern Etching: Twenty Plates By Balfourier, Bodmer ... [et Al.] Philip Gilbert Hamerton Seeley, Jackson, and Halliday, 1876 Etching

""The Sylvan Year: Leaves From The Note Book Of Raoul Dubois"" is a book written by Philip Gilbert Hamerton. The book is a collection of essays and observations about nature, written in the form of a diary kept by the fictional character Raoul Dubois. The book is divided into twelve chapters, one for each month of the year, and each chapter focuses on the changes and events that occur during that month in nature. The book is written in a poetic and descriptive style, with vivid descriptions of landscapes, animals, and plants. The author also reflects on the relationship between humans and nature, and the importance of preserving the natural world. The book is a classic of nature writing, and has been praised for its beautiful prose and insightful observations. It is a must-read for anyone who loves nature and wants to deepen their understanding of the natural world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1873, this is probably the best-known work of this 19th Century English artist, art critic and author. I propose, in the following pages, to consider the possibilities of a satisfactory intellectual life under various conditions of ordinary human existence. It will form a part of my plan to take into account favorable and unfavorable influences of many kinds; and my chief purpose, so far as any effect upon others may be hoped for, will be to guard some who may read the book alike against the loss of time caused by unnecessary discouragement, and the waste of effort which is the consequence of misdirected energies. The essence of the book may be expressed in a few sentences, the rest being little more than evidence or illustration. I have written for all classes, in the conviction that the intellectual life is really within the reach of every one who earnestly desires it.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Modern Frenchmen: Five Biographies is a book written by Philip Gilbert Hamerton. The book is a collection of biographies of five influential Frenchmen from the late 19th century. The biographies included in the book are of Gustave Flaubert, Victor Hugo, Ernest Renan, Jules Michelet, and Henri Sainte-Claire Deville. Each of the biographies is written in a detailed manner, providing a comprehensive overview of the life and achievements of these Frenchmen. Hamerton delves into the personal lives of these individuals, exploring their upbringing, education, and personal relationships. He also discusses their professional accomplishments, including their literary works, scientific discoveries, and political contributions. In addition to providing an insightful look into the lives of these Frenchmen, the book also offers a glimpse into the cultural and political landscape of France during the late 19th century. Hamerton�������s writing style is engaging and informative, making the book an enjoyable read for anyone interested in French history, literature, or culture. Overall, Modern Frenchmen: Five Biographies is a well-researched and engaging book that offers a unique perspective on the lives of some of France�������s most influential figures. It is a must-read for anyone interested in French history or culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Portfolio: An Artistic Periodical, Volume 22; British Periodicals In The Creative Arts Philip Gilbert Hamerton Seeley, Jackson, and Halliday, 1891 Art; History; General; Art; Art / History / General; Etching

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Portfolio: An Artistic Periodical, Volume 15; British Periodicals In The Creative Arts Philip Gilbert Hamerton Seeley, Jackson, and Halliday, 1884 Art; Etching

Round My House, Notes of Rural Life in France in Peace and War by Philip Gilbert Hamerton. This book is a reproduction of the original book published in 1882 and may have some imperfections such as marks or hand-written notes.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Etching and Etchers is a comprehensive guide to the art of etching, written by Philip Gilbert Hamerton. The book covers the entire process of etching, from the preparation of the plate to the printing of the finished work. Hamerton provides detailed instructions on the various techniques used in etching, including drypoint, aquatint, and mezzotint.In addition to the technical aspects of etching, the book also explores the history and development of the art form. Hamerton discusses the work of famous etchers such as Rembrandt, Goya, and Whistler, and provides examples of their work throughout the book.Etching and Etchers is a valuable resource for artists, art historians, and anyone interested in the art of printmaking. The book is illustrated with numerous examples of etchings, both old and new, and includes a glossary of terms and a bibliography for further reading.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Graphic Arts: A Treatise On The Varieties Of Drawing, Painting And Engraving In Comparison With Each Other And With Nature is a comprehensive book written by Philip Gilbert Hamerton. This book is a detailed study of the different forms of graphic arts, including drawing, painting, and engraving. Hamerton provides a comparison between these forms of art and how they relate to nature. The book is divided into several chapters, each focusing on a specific aspect of the graphic arts. The first chapter discusses the importance of drawing as a foundation for all other forms of art. The following chapters explore painting and engraving, providing a detailed analysis of their techniques, styles, and characteristics. The author also examines the relationship between the graphic arts and nature, highlighting the importance of observation and the influence of nature on artistic expression. Hamerton emphasizes the need for artists to study nature and use it as a source of inspiration.The book is written in a clear and concise style, making it accessible to both artists and non-artists alike. It is also illustrated with numerous examples of drawings, paintings, and engravings, providing visual aids to help readers understand the concepts discussed in the text.Overall, The Graphic Arts: A Treatise On The Varieties Of Drawing, Painting And Engraving In Comparison With Each Other And With Nature is an essential read for anyone interested in the graphic arts. It provides a comprehensive overview of the different forms of graphic arts, their techniques, and their relationship with nature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Portfolio, Volume 17; British Periodicals In The Creative Arts Philip Gilbert Hamerton Seeley, Jackson, and Halliday, 1886 Art; History; General; Art; Art / History / General; Etching

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Portfolio: An Artistic Periodical, Volume 18; British Periodicals In The Creative Arts Philip Gilbert Hamerton Seeley, 1887 Art; History; General; Art; Art / History / General; Etching

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ French And English: A Comparison, Volume 1; Volumes 2618-2619 Of Collection Of British And American Authors; French And English: A Comparison; Philip Gilbert Hamerton Philip Gilbert Hamerton B. Tauchnitz, 1889 National characteristics, English; National characteristics, French