Bøger i Studies in Russian Literature and Theory serien

Sots-art, the mock use of the Soviet ideological cliches of mass culture, originated in Soviet nonconformist art of the early 1970s. This text examines literary Sots-art on several levels.

Founded by Maksim Gorky and Kornei Chukovsky in 1919 and disbanded in 1922, the Petrograd House of Arts occupied a crucial moment in Russia's cultural history. Chronicling the rise and fall of this literary landmark, this book conveys the studied period in Soviet literature.

Around 1705, an African boy from the seraglio of the Turkish sultan, was taken to Russia as a gift to Peter the Great. He was to become the great-grandfather of the poet, Alexander Pushkin. It is the contention of the editors that Pushkin's African ancestry has played the role of a ""wild card"" as a formative element in Russian cultural mythology.

A psychosocial study of the female intelligentsia in Russia which seeks to show how and why women radicals of the 19th century diverged from their male counterparts and to describe the forces that led women to rebel. It also discusses their legacy to future generations.

Pushkin on Literature approaches Pushkin's literary accomplishment from a unique perspective: it focuses on Pushkin the critic and on his passion-are enthusiasm, volatile judgments, joy, frustration and fascination with the literary world that surrounded him. This is the only English-language edition of the complete set of Pushkin's critical writing, both on his own work and on the wide range of European literature - Byron, Shakespeare, Voltaire, Milton - which he read and studied, and which so profoundly influenced his own writing, is organized into sections, each featuring a biographical survey of Pushkin's activities during the period covered. These extracts from Pushkin's letters, articles, and working notes provide a complete chronological record of the artist's literary evolution and provide a fascinating glimpse into the poet's intellectual passions.

The essays in this collection range widely not only over Karolina Pavlova's oeuvre but also in their analytical stances. The volume includes close poetic and prosodic analysis, literary history, gender studies, intertextual comparison and biography.