Vanity fair; a novel without a hero, By William Makepeace Thackeray A NOVEL

Vanity Fair: A Novel without a Hero is a novel by English author William Makepeace Thackeray, first published in 1847-48, satirising society in early 19th-century Britain. Thackeray, an only child, was born in Calcutta, India, where his father, Richmond Thackeray (1 September 1781 - 13 September 1815), held the high rank of secretary to the board of revenue in the British East India Company. His mother, Anne Becher (1792-1864) was the second daughter of Harriet and John Harman Becher and was also a secretary (writer) for the East India Company. William had been sent to England earlier, at the age of five, with a short stopover at St. Helena where the imprisoned Napoleon was pointed out to him. He was educated at schools in Southampton and Chiswick and then at Charterhouse School. William Makepeace Thackeray ( 18 July 1811 - 24 December 1863) was an English novelist of the 19th century. He is famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. During the Victorian era Thackeray was ranked second only to Charles Dickens, but he is now much less widely read and is known almost exclusively for Vanity Fair, which has become a fixture in university courses, and has been repeatedly adapted for the cinema and television. In Thackeray's own day some commentators, such as Anthony Trollope, ranked his History of Henry Esmond as his greatest work, perhaps because it expressed Victorian values of duty and earnestness, as did some of his other later novels. It is perhaps for this reason that they have not survived as well as Vanity Fair, which satirises those values. Thackeray saw himself as writing in the realistic tradition, and distinguished his work from the exaggerations and sentimentality of Dickens. Some later commentators have accepted this self-evaluation and seen him as a realist, but others note his inclination to use eighteenth-century narrative techniques, such as digressions and direct addresses to the reader, and argue that through them he frequently disrupts the illusion of reality. The school of Henry James, with its emphasis on maintaining that illusion, marked a break with Thackeray's techniques. In 1887 the Royal Society of Arts unveiled a blue plaque to commemorate Thackeray at the house at 2 Palace Green, London, that had been built for him in the 1860s