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Ultratheatre

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THE SARCOMA CYCLE is a thematic trilogy of plays exploring grief, technology, and intensity in three distinct time periods: 1. NANOBLADE 1998 set in the Cook County Hospital during a technological overhaul in medical practice. Romance, chaos, and madness ensue. 2. SPRING BREAK 2020 a multimedia grand guignol set during the Covid lockdowns. A spectacle that spirals towards an unforgettable finale. 3. THE MOURNING LIGHT 2050 set in River City, Chicago, in the distant future. About the family of a tech CEO who's invented program to communicate with the dead in Virtual Reality. Prophesies from another realm threaten to tear the family apart. + Nasim Bleeds Green Nasim Bleeds Green was workshopped at Oggi Gallery, Chicago, from November 2019 till Friday, March 13, 2020, when the Covid-19 Pandemic prematurely ended the rehearsal process. It was produced by The Runaways Lab Theater and Margo Rush and was partially supported by a grant from the Illinois Arts Council Agency.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781948687676
  • Indbinding:
  • Paperback
  • Sideantal:
  • 282
  • Udgivet:
  • 6. juni 2024
  • Størrelse:
  • 203x15x254 mm.
  • Vægt:
  • 562 g.
  • 2-3 uger.
  • 26. november 2024
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Beskrivelse af Ultratheatre

THE SARCOMA CYCLE is a thematic trilogy of plays exploring grief, technology, and intensity in three distinct time periods:
1. NANOBLADE 1998 set in the Cook County Hospital during a technological overhaul in medical practice. Romance, chaos, and madness ensue.
2. SPRING BREAK 2020 a multimedia grand guignol set during the Covid lockdowns. A spectacle that spirals towards an unforgettable finale.
3. THE MOURNING LIGHT 2050 set in River City, Chicago, in the distant future. About the family of a tech CEO who's invented program to communicate with the dead in Virtual Reality. Prophesies from another realm threaten to tear the family apart.

+ Nasim Bleeds Green
Nasim Bleeds Green was workshopped at Oggi Gallery, Chicago, from November 2019 till Friday, March 13, 2020, when the Covid-19 Pandemic prematurely ended the rehearsal process. It was produced by The Runaways Lab Theater and Margo Rush and was partially supported by a grant from the Illinois Arts Council Agency.

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