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Treatise On Single, Double, Triple And Quadruple Counterpoint (1887)

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""Treatise On Single, Double, Triple And Quadruple Counterpoint"" is a comprehensive guide to the art of counterpoint written by Salomon Jadassohn in 1887. The book covers the principles and techniques of four-part writing, including the rules of harmony, voice leading, and the use of different types of counterpoint. It is divided into four sections, each dedicated to a specific type of counterpoint: single, double, triple, and quadruple. Jadassohn's approach to counterpoint is highly analytical, and he provides numerous examples and exercises to help the reader master the material. He also discusses the historical development of counterpoint and its use in various musical genres, from the Renaissance to the Romantic era. ""Treatise On Single, Double, Triple And Quadruple Counterpoint"" is a valuable resource for composers, music theorists, and students of music. It is written in a clear and concise style, making it accessible to readers of all levels of expertise. The book remains a classic in the field of music theory and is still widely used today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781437424362
  • Indbinding:
  • Hardback
  • Sideantal:
  • 136
  • Udgivet:
  • 22. december 2008
  • Størrelse:
  • 152x229x11 mm.
  • Vægt:
  • 372 g.
  • 2-3 uger.
  • 3. december 2024
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""Treatise On Single, Double, Triple And Quadruple Counterpoint"" is a comprehensive guide to the art of counterpoint written by Salomon Jadassohn in 1887. The book covers the principles and techniques of four-part writing, including the rules of harmony, voice leading, and the use of different types of counterpoint. It is divided into four sections, each dedicated to a specific type of counterpoint: single, double, triple, and quadruple. Jadassohn's approach to counterpoint is highly analytical, and he provides numerous examples and exercises to help the reader master the material. He also discusses the historical development of counterpoint and its use in various musical genres, from the Renaissance to the Romantic era. ""Treatise On Single, Double, Triple And Quadruple Counterpoint"" is a valuable resource for composers, music theorists, and students of music. It is written in a clear and concise style, making it accessible to readers of all levels of expertise. The book remains a classic in the field of music theory and is still widely used today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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