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The Widow's Crayon Box

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After her husband's death, Molly Peacock realized she was not living the received idea of a widow's mauve existence but instead was experiencing life in all colors. These gorgeous poems-joyful, furious, mournful, bewildered, sexy, devastated, whimsical and above all, moving-composed in sonnet sequences and in open forms, designed in four movements (After, Before, When, and Afterglow)-illuminate both the role of the caregiver and the crystalline emotions one can experience after the death of a cherished partner. With her characteristic virtuosity, her fearless willingness to confront even the most difficult emotions, and always with buoyancy and zest, Peacock charts widowhood in the twenty-first century. From "Touched:" After you died, I felt you next to me, and over months you entered gradually into that lake and disappeared. Not gone, but so internalized you're not next to me.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781324079439
  • Indbinding:
  • Hardback
  • Sideantal:
  • 96
  • Udgivet:
  • 5. november 2024
  • 8-11 hverdage.
  • 5. december 2024
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- Adgang til 70.000+ titler
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Beskrivelse af The Widow's Crayon Box

After her husband's death, Molly Peacock realized she was not living the received idea of a widow's mauve existence but instead was experiencing life in all colors. These gorgeous poems-joyful, furious, mournful, bewildered, sexy, devastated, whimsical and above all, moving-composed in sonnet sequences and in open forms, designed in four movements (After, Before, When, and Afterglow)-illuminate both the role of the caregiver and the crystalline emotions one can experience after the death of a cherished partner. With her characteristic virtuosity, her fearless willingness to confront even the most difficult emotions, and always with buoyancy and zest, Peacock charts widowhood in the twenty-first century.
From "Touched:"
After you died, I felt you next to me,
and over months you entered gradually
into that lake and disappeared. Not gone,
but so internalized you're not next to me.

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