The Wedekind Cabaret
- Indbinding:
- Paperback
- Sideantal:
- 72
- Udgivet:
- 30. april 2008
- Størrelse:
- 201x127x12 mm.
- Vægt:
- 88 g.
- 8-11 hverdage.
- 20. november 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Wedekind Cabaret
Translated and adapted by Eric Bentley
Music by Arnold Black, William Bolcom, Lucas Mason, and Peter Winkler
Flexible casting, 1m., 1f. or expanded to more actors as needed /Musical Revue
A first draft of this entertainment was produced at The Ballroom in New York City in 1994, starring Alvin Epstein and directed by Isaiah Sheffer. Howard Kissel, Daily News, commented: "Bentley's pungent translations of Wedekind's lyrics have been set deftly by three composers, Arnold Black, William Bolcom and Peter Winkler... Tingle Tangle [as the work was then called] is well performed and invariably fascinating."
For the Wedekind renaissance of the 21st century Eric Bentley has re-arranged the material and added to it. The piece now consists of two cabaret programs which could be performed together in one long evening or separately. The first program is framed by two Bentley ballads telling the stories of Spring's Awakening and The First Lulu, respectively. Within that frame is a varied series of Wedekind songs and spoken poems. The second program is framed by two Wedekind short stories, neither of them ever before presented on an American (or any other) stage. Within this second frame come poems and songs in which we meet another Wedekind, a wild poet who also had a tender, even elegiac side. The two-part show ends with a song by Eric Bentley and Arnold Black which celebrates, not Wedekind the rebel, but Wedekind the artist.
Music by Arnold Black, William Bolcom, Lucas Mason, and Peter Winkler
Flexible casting, 1m., 1f. or expanded to more actors as needed /Musical Revue
A first draft of this entertainment was produced at The Ballroom in New York City in 1994, starring Alvin Epstein and directed by Isaiah Sheffer. Howard Kissel, Daily News, commented: "Bentley's pungent translations of Wedekind's lyrics have been set deftly by three composers, Arnold Black, William Bolcom and Peter Winkler... Tingle Tangle [as the work was then called] is well performed and invariably fascinating."
For the Wedekind renaissance of the 21st century Eric Bentley has re-arranged the material and added to it. The piece now consists of two cabaret programs which could be performed together in one long evening or separately. The first program is framed by two Bentley ballads telling the stories of Spring's Awakening and The First Lulu, respectively. Within that frame is a varied series of Wedekind songs and spoken poems. The second program is framed by two Wedekind short stories, neither of them ever before presented on an American (or any other) stage. Within this second frame come poems and songs in which we meet another Wedekind, a wild poet who also had a tender, even elegiac side. The two-part show ends with a song by Eric Bentley and Arnold Black which celebrates, not Wedekind the rebel, but Wedekind the artist.
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