The War Against Cliche: Essays and Reviews 1971-2000
- Indbinding:
- Paperback
- Sideantal:
- 528
- Udgivet:
- 16. juli 2002
- Størrelse:
- 133x24x204 mm.
- Vægt:
- 381 g.
- 2-3 uger.
- 10. december 2024
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The War Against Cliche
The War Against Cliche: Essays and Reviews 1971-2000 is a fascinating literary work by Martin Amis. Published by Vintage in 2002, this book is a captivating collection of essays and reviews that span nearly three decades. As the title suggests, Amis wages a war against cliches, challenging the reader to think beyond the conventional and delve into the depths of literature. This book is a must-read for those interested in literary criticism, offering a unique perspective on a wide range of topics. The genre of the book can be classified as non-fiction, but it is far from being a dry academic text. Amis' engaging writing style and insightful commentary make it an enjoyable read. The War Against Cliche: Essays and Reviews 1971-2000 is a testament to Martin Amis' prowess as a writer and critic. It is a perfect addition to any bookshelf, courtesy of Vintage publications.
Forlagets beskrivelse af The War Against Cliche
Is there anything that Martin Amis can't write about? In this virtuosic, career-spanning collection he takes on James Joyce and Elvis Presley, Nabokov and English football, Jane Austen and Penthouse Forum, William Burroughs and Hillary Clinton. But above all, Amis is concerned with literature, and with the deadly cliches-not only of the pen, but of the mind and the heart. In The War Against Cliché, Amis serves up fresh assessments of the classics and plucks neglected masterpieces off their dusty shelves. He tilts with Cervantes, Dickens and Milton, celebrates Bellow, Updike and Elmore Leonard, and deflates some of the most bloated reputations of the past three decades. On every page Amis writes with jaw-dropping felicity, wit, and a subversive brilliance that sheds new light on everything he touches.
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