The Waiting Water
- Order, Sacrifice, and Submergence in German Realism
- Indbinding:
- Paperback
- Udgivet:
- 15. september 2024
- Størrelse:
- 152x229x16 mm.
- Vægt:
- 417 g.
- 8-11 hverdage.
- 17. december 2024
På lager
Forlænget returret til d. 31. januar 2025
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Waiting Water
The Waiting Water addresses one of the most recurrent and troubling motifs in German Realist literature--death by drowning. Characters find themselves before bodies of water, presented with the familiar realm above the surface and the unobservable, uncanny domain beneath it. With somber regularity, they then disappear into the depths. Alexander Sorenson explores the role that these hidden deaths in water play within a literary movement that set out precisely to reveal universal truths of human life. The poetics of submergence, he argues, revolves around two concepts fundamental to Poetic Realism--order and sacrifice.
Focusing on texts by Adalbert Stifter, Gottfried Keller, Theodor Storm, and Marie von Ebner-Eschenbach along with material from earlier and later epochs, The Waiting Water shows that the pervasive symbolism of drowning scenes in German Realism, which typically occur in zones of narrative invisibility on the social periphery, reveals the extent to which Realist narrative uses the natural environment in order to work through deeply embedded and hidden tensions that troubled the social and moral life of the age.
Focusing on texts by Adalbert Stifter, Gottfried Keller, Theodor Storm, and Marie von Ebner-Eschenbach along with material from earlier and later epochs, The Waiting Water shows that the pervasive symbolism of drowning scenes in German Realism, which typically occur in zones of narrative invisibility on the social periphery, reveals the extent to which Realist narrative uses the natural environment in order to work through deeply embedded and hidden tensions that troubled the social and moral life of the age.
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