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The Telltale Hardon and Other Perversions

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In The Telltale Hardon and Other Perversions, Edgar Allan Pole (aka Andrew Shaffer) digs up seven of Edgar Allan Poe’s best-loved stories and gives them a post-mortem makeover. In “The Telltale Hardon,” a college girl seduces her elderly landlord. Things go awry when his heart gives out and the co-ed must dispose of his body, only to be haunted by his ghostly erection. In “The Purple Death,” Pole reimagines “The Masque of the Red Death” as a post-apocalyptic orgy inside Prince’s fortified Paisley Park compound. And in “The Pit and the Pendulous Ballsack,” a condemned man is tortured in a terrifyingly perverse manner. Pride and Prejudice and Zombies jumpstarted the literary mash-up genre; Edgar Allan Pole’s twisted take on classic Poe short stories such as “The Tell-Tale Heart” and “The Fall of the House of Usher” will pound the final nail into the genre’s coffin.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781949769098
  • Indbinding:
  • Hardback
  • Sideantal:
  • 80
  • Udgivet:
  • 1. august 2019
  • Størrelse:
  • 127x203x8 mm.
  • Vægt:
  • 213 g.
  • 8-11 hverdage.
  • 16. januar 2025
Forlænget returret til d. 31. januar 2025
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In The Telltale Hardon and Other Perversions, Edgar Allan Pole (aka Andrew Shaffer) digs up seven of Edgar Allan Poe’s best-loved stories and gives them a post-mortem makeover.
In “The Telltale Hardon,” a college girl seduces her elderly landlord. Things go awry when his heart gives out and the co-ed must dispose of his body, only to be haunted by his ghostly erection. In “The Purple Death,” Pole reimagines “The Masque of the Red Death” as a post-apocalyptic orgy inside Prince’s fortified Paisley Park compound. And in “The Pit and the Pendulous Ballsack,” a condemned man is tortured in a terrifyingly perverse manner.
Pride and Prejudice and Zombies jumpstarted the literary mash-up genre; Edgar Allan Pole’s twisted take on classic Poe short stories such as “The Tell-Tale Heart” and “The Fall of the House of Usher” will pound the final nail into the genre’s coffin.

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