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The Sleeper Agent in Post-9/11 Media

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This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent ¿ the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective¿from terrorist to sleeper agent¿brings new insights into our understanding of post-9/11 representations of terrorism. The book¿s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well asmedia and terrorism studies.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783031115189
  • Indbinding:
  • Paperback
  • Sideantal:
  • 336
  • Udgivet:
  • 3. januar 2024
  • Udgave:
  • 24001
  • Størrelse:
  • 148x19x210 mm.
  • Vægt:
  • 436 g.
  • 8-11 hverdage.
  • 17. december 2024
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Beskrivelse af The Sleeper Agent in Post-9/11 Media

This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent ¿ the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective¿from terrorist to sleeper agent¿brings new insights into our understanding of post-9/11 representations of terrorism. The book¿s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well asmedia and terrorism studies.

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