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The School for Scandal (1777). By

- Richard Brinsley Sheridan: The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777.

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The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Plot Act I Scene I: Lady Sneerwell, a wealthy young widow, and her hireling Snake discuss her various scandal-spreading plots. Snake asks why she is so involved in the affairs of Sir Peter Teazle, his ward Maria, and Charles and Joseph Surface, two young men under Sir Peter's informal guardianship, and why she has not yielded to the attentions of Joseph, who is highly respectable. Lady Sneerwell confides that Joseph wants Maria, who is an heiress, and that Maria wants Charles. Thus she and Joseph are plotting to alienate Maria from Charles by putting out rumors of an affair between Charles and Sir Peter's new young wife, Lady Teazle. Joseph arrives to confer with Lady Sneerwell. Maria herself then enters, fleeing the attentions of Sir Benjamin Backbite and his uncle Crabtree. Mrs. Candour enters and ironically talks about how "tale-bearers are as bad as the tale-makers." Soon after that, Sir Benjamin and Crabtree also enter, bringing a good deal of gossip with them. One item is the imminent return of the Surface brothers' rich uncle Sir Oliver from the East Indies, where he has been for fifteen years; another is Charles' dire financial situation. Scene II: Sir Peter complains of Lady Teazle's spendthrift ways. Rowley, the former steward of the Surfaces' late father, arrives, and Sir Peter gives him an earful on the subject. He also complains that Maria has refused Joseph, whom he calls "a model for the young men of the age," and seems attached to Charles, whom he denounces as a profligate. Rowley defends Charles, and then announces that Sir Oliver has just arrived from the East Indies. Act II[edit] Scene I: Sir Peter argues with his wife, Lady Teazle, refusing to be "ruined by [her] extravagance." He reminds her of her recent and far humbler country origins. Lady Teazle excuses herself by appealing to "the fashion", and departs to visit Lady Sneerwell. Despite their quarrel, Sir Peter still finds himself charmed by his wife even when she is arguing with him. Scene II: At Lady Sneerwell's, the scandal-mongers have great fun at the expense of friends not present. Lady Teazle and Maria arrive; Lady Teazle joins in, but Maria is disgusted...... Richard Brinsley Butler Sheridan (30 October 1751 - 7 July 1816) was an Irish satirist, a playwright and poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna, and A Trip to Scarborough. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780-1806), Westminster (1806-1807), and Ilchester (1807-1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781984185761
  • Indbinding:
  • Paperback
  • Sideantal:
  • 68
  • Udgivet:
  • 25. januar 2018
  • Størrelse:
  • 203x254x4 mm.
  • Vægt:
  • 154 g.
  • 8-11 hverdage.
  • 5. december 2024
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Beskrivelse af The School for Scandal (1777). By

The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Plot Act I Scene I: Lady Sneerwell, a wealthy young widow, and her hireling Snake discuss her various scandal-spreading plots. Snake asks why she is so involved in the affairs of Sir Peter Teazle, his ward Maria, and Charles and Joseph Surface, two young men under Sir Peter's informal guardianship, and why she has not yielded to the attentions of Joseph, who is highly respectable. Lady Sneerwell confides that Joseph wants Maria, who is an heiress, and that Maria wants Charles. Thus she and Joseph are plotting to alienate Maria from Charles by putting out rumors of an affair between Charles and Sir Peter's new young wife, Lady Teazle. Joseph arrives to confer with Lady Sneerwell. Maria herself then enters, fleeing the attentions of Sir Benjamin Backbite and his uncle Crabtree. Mrs. Candour enters and ironically talks about how "tale-bearers are as bad as the tale-makers." Soon after that, Sir Benjamin and Crabtree also enter, bringing a good deal of gossip with them. One item is the imminent return of the Surface brothers' rich uncle Sir Oliver from the East Indies, where he has been for fifteen years; another is Charles' dire financial situation. Scene II: Sir Peter complains of Lady Teazle's spendthrift ways. Rowley, the former steward of the Surfaces' late father, arrives, and Sir Peter gives him an earful on the subject. He also complains that Maria has refused Joseph, whom he calls "a model for the young men of the age," and seems attached to Charles, whom he denounces as a profligate. Rowley defends Charles, and then announces that Sir Oliver has just arrived from the East Indies. Act II[edit] Scene I: Sir Peter argues with his wife, Lady Teazle, refusing to be "ruined by [her] extravagance." He reminds her of her recent and far humbler country origins. Lady Teazle excuses herself by appealing to "the fashion", and departs to visit Lady Sneerwell. Despite their quarrel, Sir Peter still finds himself charmed by his wife even when she is arguing with him. Scene II: At Lady Sneerwell's, the scandal-mongers have great fun at the expense of friends not present. Lady Teazle and Maria arrive; Lady Teazle joins in, but Maria is disgusted...... Richard Brinsley Butler Sheridan (30 October 1751 - 7 July 1816) was an Irish satirist, a playwright and poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna, and A Trip to Scarborough. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780-1806), Westminster (1806-1807), and Ilchester (1807-1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide.

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