The Red Headed Outfield and Other Baseball Stories
- (Zane Grey Classics Collection)
- Indbinding:
- Paperback
- Sideantal:
- 118
- Udgivet:
- 29. september 2014
- Størrelse:
- 152x229x6 mm.
- Vægt:
- 168 g.
- 2-3 uger.
- 9. december 2024
På lager
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Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Red Headed Outfield and Other Baseball Stories
There was Delaney's red-haired trio-Red Gilbat, left fielder; Reddy Clammer, right fielder, and Reddie Ray, center fielder, composing the most remarkable outfield ever developed in minor league baseball. It was Delaney's pride, as it was also his trouble. Red Gilbat was nutty-and his batting average was .371. Any student of baseball could weigh these two facts against each other and understand something of Delaney's trouble. It was not possible to camp on Red Gilbat's trail. The man was a jack-o'-lantern, a will-o'-the-wisp, a weird, long-legged, long-armed, red-haired illusive phantom. When the gong rang at the ball grounds there were ten chances to one that Red would not be present. He had been discovered with small boys peeping through knotholes at the vacant left field he was supposed to inhabit during play. Of course what Red did off the ball grounds was not so important as what he did on. And there was absolutely no telling what under the sun he might do then except once out of every three times at bat he could be counted on to knock the cover off the ball. Reddy Clammer was a grand-stand player-the kind all managers hated-and he was hitting .305. He made circus catches, circus stops, circus throws, circus steals-but particularly circus catches. That is to say, he made easy plays appear difficult. He was always strutting, posing, talking, arguing, quarreling-when he was not engaged in making a grand-stand play. Reddy Clammer used every possible incident and artifice to bring himself into the limelight.
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