The Old English Baron
- Indbinding:
- Paperback
- Sideantal:
- 132
- Udgivet:
- 1. december 2006
- Størrelse:
- 152x229x7 mm.
- Vægt:
- 205 g.
- 2-3 uger.
- 27. november 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Old English Baron
Clara Reeve (1729-1807), novelist, was the author of several novels, of which only one is remembered -- The Old English Baron (1777), written in imitation of, or rivalry with, the Castle of Otranto by Horace Walpole, 4th Earl of Orford, with which it has often been printed. Her novel has noticeably influenced Mary Shelley's Frankenstein. Her innovative history of prose fiction, The Progress of Romance (1785), can be regarded generally as a precursor to modern histories of the novel and specifically as upholding the tradition of female literary history.
From the Preface:
This Story is the literary offspring of The Castle of Otranto, written upon the same plan, with a design to unite the most attractive and interesting circumstances of the ancient Romance and modern Novel, at the same time it assumes a character and manner of its own, that differs from both; it is distinguished by the appellation of a Gothic Story, being a picture of Gothic times and manners. . . . A man shall admire and almost adore the Epic poems of the Ancients, and yet despise and execrate the ancient Romances, which are only Epics in prose.
When your expectation is wound up to the highest pitch, these circumstances take it down with a witness, destroy the work of imagination, and, instead of attention, excite laughter. I was both surprised and vexed to find the enchantment dissolved, which I wished might continue to the end of the book; and several of its readers have confessed the same disappointment to me: The beauties are so numerous, that we cannot bear the defects, but want it to be perfect in all respects.
From the Preface:
This Story is the literary offspring of The Castle of Otranto, written upon the same plan, with a design to unite the most attractive and interesting circumstances of the ancient Romance and modern Novel, at the same time it assumes a character and manner of its own, that differs from both; it is distinguished by the appellation of a Gothic Story, being a picture of Gothic times and manners. . . . A man shall admire and almost adore the Epic poems of the Ancients, and yet despise and execrate the ancient Romances, which are only Epics in prose.
When your expectation is wound up to the highest pitch, these circumstances take it down with a witness, destroy the work of imagination, and, instead of attention, excite laughter. I was both surprised and vexed to find the enchantment dissolved, which I wished might continue to the end of the book; and several of its readers have confessed the same disappointment to me: The beauties are so numerous, that we cannot bear the defects, but want it to be perfect in all respects.
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