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Two migrants both alike in dignity in this city where we lay our dreams.Two men arrive in London looking for Shakespeare. They say they are from Balaika, Africa. They have passed through fire to be here and are determined for the great man to hear their stories.Alas, Shakespeare is dead! However, his theatre still stands. Soon they find themselves swept up and placed on stage in front of an expectant audience. Fame, fortune and love awaits ... But, can they survive the increasingly hostile environment?In triumphantly energetic Southern African style, two actors play men, women and immigration police to portray this funny yet moving story of love, friendship, and ambition.Published in Methuen Drama's Plays For Young People series, this edition features resources for teachers and students, including an introduction by Sonia Massai, Professor of Shakespeare Studies at Kings College London, and a contextual response to the play in production by the author.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781350204607
  • Indbinding:
  • Paperback
  • Sideantal:
  • 80
  • Udgivet:
  • 8. oktober 2020
  • Størrelse:
  • 129x4x198 mm.
  • Vægt:
  • 86 g.
  • 8-11 hverdage.
  • 9. december 2024
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Beskrivelse af The Moors

Two migrants both alike in dignity in this city where we lay our dreams.Two men arrive in London looking for Shakespeare. They say they are from Balaika, Africa. They have passed through fire to be here and are determined for the great man to hear their stories.Alas, Shakespeare is dead! However, his theatre still stands. Soon they find themselves swept up and placed on stage in front of an expectant audience. Fame, fortune and love awaits ... But, can they survive the increasingly hostile environment?In triumphantly energetic Southern African style, two actors play men, women and immigration police to portray this funny yet moving story of love, friendship, and ambition.Published in Methuen Drama's Plays For Young People series, this edition features resources for teachers and students, including an introduction by Sonia Massai, Professor of Shakespeare Studies at Kings College London, and a contextual response to the play in production by the author.

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