The Mill on the Floss (1860). By
- George Eliot: The novel details the lives of Tom and Maggie Tulliver, a brother and sister growing up on the fictional river Floss near the fictional village of St. Oggs, evidently in the 1820's, after the Napoleonic Wars but prior to the first Reform Bil
- Indbinding:
- Paperback
- Sideantal:
- 324
- Udgivet:
- 1. februar 2017
- Størrelse:
- 203x254x17 mm.
- Vægt:
- 644 g.
- 8-11 hverdage.
- 5. december 2024
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Mill on the Floss (1860). By
The novel details the lives of Tom and Maggie Tulliver, a brother and sister growing up on the fictional river Floss near the fictional village of St. Oggs, evidently in the 1820's, after the Napoleonic Wars but prior to the first Reform Bill (1832). The novel spans a period of 10-15 years, from Tom and Maggie's childhood up until their deaths in a flood on the Floss. The book is loosely autobiographical, reflecting the disgrace that George Eliot (Mary Ann Evans) herself had while in a relationship with a married man.The novel spans a period of 10 to 15 years and details the lives of Tom and Maggie Tulliver, siblings growing up at Dorlcote Mill on the River Floss at its junction with the more minor River Ripple near the village of St. Ogg's in Lincolnshire, England. Both the river[1] and the village are fictional. The novel is most probably set in the 1820s - a number of historical references place the events in the book after the Napoleonic Wars but before the Reform Act of 1832.[2][citation needed] It includes autobiographical elements, and reflects[citation needed] the disgrace that George Eliot (Mary Ann Evans) herself experienced while in a lengthy relationship with a married man, [citation needed] George Henry Lewes. Maggie Tulliver is the central character of the book. The story begins when she is 9 years old, 13 years into her parents' marriage. Her relationship with her older brother Tom, and her romantic relationships with Philip Wakem (a hunchbacked, sensitive, and intellectual friend) and with Stephen Guest (a vivacious young socialite in St. Ogg's and assumed fiancé of Maggie's cousin Lucy Deane) constitute the most significant narrative threads. Tom and Maggie have a close yet complex bond, which continues throughout the novel. Their relationship is coloured by Maggie's desire to recapture the unconditional love her father provides before his death. Tom's pragmatic and reserved nature clashes with Maggie's idealism and fervor for intellectual gains and experience. Various family crises, including bankruptcy, Mr. Tulliver's rancorous relationship with Philip Wakem's father, which results in the loss of the mill, and Mr. Tulliver's untimely death, serve both to intensify Tom's and Maggie's differences and to highlight their love for each other. To help his father repay his debts, Tom leaves school to enter a life of business. He eventually finds a measure of success, restoring the family's former estate. Meanwhile, Maggie languishes in the impoverished Tulliver home, her intellectual aptitude wasted in her socially isolated state. She passes through a period of intense spirituality, during which she renounces the world, spurred by Thomas à Kempis's The Imitation of Christ.........Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively "Mary Ann" or "Marian"), known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Felix Holt, the Radical (1866), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. She used a male pen name, she said, to ensure that her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women writing only lighthearted romances. She also wished to have her fiction judged separately from her already extensive and widely known work as an editor and critic. An additional factor in her use of a pen name may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes, with whom she lived for over 20 years.
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