The Lalaurie Horror
- Indbinding:
- Paperback
- Sideantal:
- 150
- Udgivet:
- 17. september 2013
- Størrelse:
- 127x203x8 mm.
- Vægt:
- 154 g.
- 8-11 hverdage.
- 10. december 2024
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Lalaurie Horror
Cited as a resource by world-renowned, French criminologist, Stéphane Bourgoin, a foremost authority on serial killers. Twice Nominated for Literature's Pushcart Prize. On April 10, 1834, fire erupted at the mansion of wealthy, beautiful, twice-widowed socialite Madame Marie Delphine Lalaurie, a Creole of French and Irish heritage living on Royal Street in the famed French Quarter of New Orleans, Louisiana. First responders discovered seven slaves in the attic, victims of her torture chained to the mansion walls. They were rescued, though to this day, at least nineteen slaves belonging to Madame Lalaurie remain vanished without a trace, and the roster of slave children, adults and elderly who mysteriously died in her care is considerable, though the lady herself escaped prosecution and was never brought to justice. Reports of hauntings and strange sights at the mansion have persisted through its 200 year history, with a long list of owners -- from humble school instructors to Hollywood stars such as the actor Nicolas Cage -- who each abandoned the house after a relatively short time, following a timeline of unfortunate events. At present, the Lalaurie Mansion is considered among the loveliest of homes in the United States of America, and reputed to be one of its most haunted, as well. Jennifer Reeser conducts a spellbinding, poetic "ghost tour" through its chambers, exploring the real culture, cuisine, history, mythology and art unique to New Orleans, while at the same time creating an original story and fictional plot, told in a straightforward, classic form full of feeling, which should be clear to anyone, anywhere in the world. Readers will encounter such characters as Calavera, the Baron Samedi, and even Madame Lalaurie, herself. What the literary journal, TRINACRIA, has described as, "...an amazing terza rima narrative of a tour through an old haunted house, done in unnerving Grand Guignol style."
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