The Grammar Of Painting And Engraving (1873)
- Indbinding:
- Hardback
- Sideantal:
- 354
- Udgivet:
- 10. september 2010
- Størrelse:
- 216x279x21 mm.
- Vægt:
- 1107 g.
- 2-3 uger.
- 12. december 2024
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
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Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Grammar Of Painting And Engraving (1873)
The Grammar of Painting and Engraving is a comprehensive guide to the techniques and principles of painting and engraving, written by the French art critic and historian Charles Blanc. Originally published in 1867, this edition was translated into English by Kate Newell Doggett and published in 1873. Blanc's book covers a wide range of topics related to the visual arts, including the use of color, composition, perspective, and the representation of light and shadow. He also discusses the history of painting and engraving, and provides examples from the works of famous artists such as Leonardo da Vinci, Raphael, and Rembrandt.The book is divided into two parts. The first part focuses on painting, and includes chapters on the different types of painting (such as landscape, still life, and portrait), the use of color, and the principles of composition. Blanc also provides practical advice on how to paint, including tips on brushwork, mixing colors, and creating texture.The second part of the book is devoted to engraving, and includes chapters on the history of engraving, the different types of engraving (such as etching and aquatint), and the techniques used to create engravings. Blanc also provides examples of famous engravings and discusses the work of notable engravers such as Albrecht D�����rer and William Hogarth.Overall, The Grammar of Painting and Engraving is a valuable resource for anyone interested in the visual arts, whether as a practitioner or a student of art history. Blanc's clear and concise writing style, combined with his extensive knowledge of the subject, make this book a classic in the field of art education.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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