The Gentleman and Cabinet-maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Houshold Furniture ... The Whole Comprehended in one Hundred and Sixty Copper-plates, ... By Thomas Chippendale,
- Indbinding:
- Hardback
- Sideantal:
- 340
- Udgivet:
- 18. april 2018
- Størrelse:
- 367x220x20 mm.
- Vægt:
- 676 g.
- 2-3 uger.
- 13. december 2024
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- Adgang til 70.000+ titler
- Ingen binding
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Ingen binding og kan opsiges når som helst.
Beskrivelse af The Gentleman and Cabinet-maker's Director. Being a Large Collection of the Most Elegant and Useful Designs of Houshold Furniture ... The Whole Comprehended in one Hundred and Sixty Copper-plates, ... By Thomas Chippendale,
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>British Library
<ESTCID>T129806
<Notes>Titlepage in red and black. With a half-title and a list of subscribers. The third leaf is an engraved dedication.
<imprintFull>London : printed for the author, and sold at his house. MDCCLIV. Also by T. Osborne; H. Piers; R. Sayer; J. Swan. At Edinburgh, by Messrs. Hamilton and Balfour: and at Dublin, by Mr. John Smith, [1754]. <collation>[4],x,27,[1]p.,plates ; 2┬░
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
<sourceLibrary>British Library
<ESTCID>T129806
<Notes>Titlepage in red and black. With a half-title and a list of subscribers. The third leaf is an engraved dedication.
<imprintFull>London : printed for the author, and sold at his house. MDCCLIV. Also by T. Osborne; H. Piers; R. Sayer; J. Swan. At Edinburgh, by Messrs. Hamilton and Balfour: and at Dublin, by Mr. John Smith, [1754]. <collation>[4],x,27,[1]p.,plates ; 2┬░
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