The Dramatic Concepts of Antonin Artaud
- Indbinding:
- Paperback
- Sideantal:
- 180
- Udgivet:
- 3. februar 2017
- Størrelse:
- 152x10x229 mm.
- Vægt:
- 249 g.
- 8-11 hverdage.
- 16. december 2024
På lager
Forlænget returret til d. 31. januar 2025
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Dramatic Concepts of Antonin Artaud
Antonin Artaud (1896-1948) conceived and inaugurated the Theater of Cruelty, a dramatic movement that has had a profound influence on the avant-garde theater in Europe and the United States. The movement is exemplified by the Peter Brook production of Marat/Sade. This book, the first to analyze Artaud's theories, their sources, and the extent to which he succeeded in implementing them in his own plays, is now available in a 2017 edition, readily accessible to scholars and interested fans of literary criticism and the modern theater worldwide. The new edition adds a thoughtful Foreword by Professor Peter Thompson of Roger Williams University. Originally published by The University of Chicago Press, the book is brought to a new generation by Quid Pro Books, in modern paperback, hardcover, and digital editions. "It is a vital, thoroughly documented theater arts document containing a truly comprehensive bibliography. The writer's manner is direct, his conclusions informative, and the scope of his analysis far exceeds any other work yet published on Artaud." - Choice (in reviewing the first edition) This sophisticated study remains essential reading for all scholars interested in modern French literature and the evolution of twentieth-century drama, for the many devotees of avant-garde theater, and for those who have felt puzzled by the superficiality of much contemporary drama.
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