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The Culture and Philosophy of Ridley Scott

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The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director's feature films from cutting-edge multidisciplinary and comparative perspectives. Each chapter's approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine a wide variety of topics including gender roles and feminist theory, philosophical abstractions like ethics, honor, and personal responsibility, and historical memory and the challenges of accurately rendering historical events on screen. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007).

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780739178720
  • Indbinding:
  • Hardback
  • Sideantal:
  • 310
  • Udgivet:
  • 8. marts 2013
  • Størrelse:
  • 463x152x21 mm.
  • Vægt:
  • 472 g.
  • 8-11 hverdage.
  • 11. december 2024
Forlænget returret til d. 31. januar 2025

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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

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The Culture and Philosophy of Ridley Scott, edited by Adam Barkman, Ashley Barkman, and Nancy Kang, brings together eighteen critical essays that illuminate a nearly comprehensive selection of the director's feature films from cutting-edge multidisciplinary and comparative perspectives. Each chapter's approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine a wide variety of topics including gender roles and feminist theory, philosophical abstractions like ethics, honor, and personal responsibility, and historical memory and the challenges of accurately rendering historical events on screen. Chapters examine such signature works as Alien (1979), Blade Runner (1982), Thelma and Louise (1991), Gladiator (2000), Hannibal (2001), Black Hawk Down (2001), and American Gangster (2007).

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