The Bibles in the Caxton Exhibition, Mdccclxxvii, Or, a Bibliographical Description of Nearly One Thousand Representative Bibles
- In Various Languages, Chronologically Arranged From the First Bible Printed by Gutenberg in 1450-1456 to the Last Bible Print
- Indbinding:
- Hardback
- Udgivet:
- 18. juli 2023
- Størrelse:
- 156x234x11 mm.
- Vægt:
- 422 g.
- 2-3 uger.
- 2. december 2024
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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af The Bibles in the Caxton Exhibition, Mdccclxxvii, Or, a Bibliographical Description of Nearly One Thousand Representative Bibles
A true bibliophile's dream, this book by Henry Stevens provides a complete description of the nearly one thousand Bibles on display at the Caxton Exhibition in 1877. Organized chronologically, this guide offers a unique perspective on the history of printing and the importance of the Bible as a cultural and religious artifact.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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