Texte, Fragmentation, Creativite II / Text, Fragmentation, Creativity II
- Penser Le Fragment Litteraire / Studies on a Fragment in Literature
- Indbinding:
- Hardback
- Sideantal:
- 234
- Udgivet:
- 18. december 2018
- Størrelse:
- 210x148x0 mm.
- 8-11 hverdage.
- 9. december 2024
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Texte, Fragmentation, Creativite II / Text, Fragmentation, Creativity II
L¿¿uvre littéraire peut ¿tre appréhendée comme un espace où agissent simultanément deux forces opposées. D¿une part, il s¿agit des forces de décomposition qui travaillent sa structure, augmentant l¿entropie du système textuel ; de l¿autre, il y a des forces de rééquilibrage qui tendent à relier, à fédérer les parties disjointes afin de réussir une (im)possible unité. Les travaux développés dans ce livre étudient différents aspects du fonctionnement formel et sémantique du fragment dans la littérature française et francophone. Ils démontrent que la décomposition de la forme ne vise pas la destruction de l¿¿uvre, mais permet de faire ressortir son potentiel de recréation.
A literary work can be considered as a place under the influence of opposing forces. On the one hand, there are deconstructing forces which, by affecting the structure, interfere with its continuity; on the other hand, there are counteracting forces that seek to connect separated parts to create a new unity. The contributions in this book examine the formal and semantic functioning of a fragment in French and Francophone literature. They prove that the decomposition of form does not cause the destruction of the work, but releases all its creative potential.
A literary work can be considered as a place under the influence of opposing forces. On the one hand, there are deconstructing forces which, by affecting the structure, interfere with its continuity; on the other hand, there are counteracting forces that seek to connect separated parts to create a new unity. The contributions in this book examine the formal and semantic functioning of a fragment in French and Francophone literature. They prove that the decomposition of form does not cause the destruction of the work, but releases all its creative potential.
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