Tender Buttons
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Paperback
8-11 hverdage123,95 kr.
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Paperback
8-11 hverdage88,95 kr.
-
Paperback
8-11 hverdage78,95 kr.
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Paperback
8-11 hverdage118,95 kr.
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Paperback
2-3 uger83,95 kr.
-
Paperback
2-3 uger88,95 kr.
-
Paperback
8-11 hverdage98,95 kr.
-
Paperback
2-3 uger123,95 kr.
-
Paperback
2-3 uger88,95 kr.
-
Paperback
2-3 uger123,95 kr.
-
Paperback
8-11 hverdage143,95 kr.
-
Paperback
8-11 hverdage88,95 kr.
-
Paperback
8-11 hverdage103,95 kr.
-
Paperback
8-11 hverdage93,95 kr.
-
Paperback
2-3 uger88,95 kr.
-
Paperback
8-11 hverdage128,95 kr.
- Indbinding:
- Paperback
- Sideantal:
- 44
- Udgivet:
- 14. juni 2016
- Størrelse:
- 178x254x2 mm.
- Vægt:
- 95 g.
- 8-11 hverdage.
- 16. januar 2025
På lager
Forlænget returret til d. 31. januar 2025
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Tender Buttons
Tender Buttons is a 1914 book by American writer Gertrude Stein consisting of three sections titled "Objects," "Food," and "Rooms." While the short book consists of multiple poems covering the everyday mundane, Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar. Stein began composition of the book in 1912 with multiple short prose poems in an effort to "create a word relationship between the word and the things seen" using a "realist" perspective. She then published it in three sections as her second book in 1914. Tender Buttons has provoked divided critical responses since its publication. It is renowned for its Modernist approach to portraying the everyday object and has been lauded as a "masterpiece of verbal Cubism." Its first poem, "A Carafe, That Is a Blind Glass," is arguably its most famous, and is often cited as one of the quintessential works of Cubist literature. The book has also been, however, criticized as "a modernist triumph, a spectacular failure, a collection of confusing gibberish, and an intentional hoax."
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