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Synchronization and Title Sequences

- Audio-Visual Semiosis in Motion Graphics

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Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals-from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)-author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics'' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781138085060
  • Indbinding:
  • Hardback
  • Sideantal:
  • 142
  • Udgivet:
  • 17. maj 2017
  • Størrelse:
  • 224x145x18 mm.
  • Vægt:
  • 306 g.
  • 8-11 hverdage.
  • 16. januar 2025
Forlænget returret til d. 31. januar 2025
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Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals-from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)-author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics'' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

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