Son En Perspective: Nouvelles Recherches New Perspectives in Sound Studies
- Indbinding:
- Paperback
- Sideantal:
- 264
- Udgivet:
- 20. februar 2004
- Størrelse:
- 151x219x19 mm.
- Vægt:
- 384 g.
- 2-15 hverdage.
- 10. december 2024
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Son En Perspective: Nouvelles Recherches New Perspectives in Sound Studies
Ce volume réunit les contributions d¿historiens et de théoriciens spécialisés dans l¿étude du son au sens large, présentées lors du colloque international ARCHIMEDIA organisé à Bruxelles en octobre 2000. Les textes rassemblés proposent des approches innovantes sur l¿historiographie sonore, l¿écoute musicale, les systèmes de synchronisation des films muets, les conditions d¿élaboration de partitions d¿accompagnement sonore, les productions nationales du début du parlant, les pratiques musicales hollywoodiennes inédites, ainsi que le son dans la sphère domestique à la télévision et sur Internet. Les contributions à caractère technique prolongent la réflexion théorique sur la restauration et la conservation du matériau sonore.
This volume gathers contributions from reputed historians and theorists in the broad area of sound studies, presented at the international ARCHIMEDIA conference held in Brussels in October 2000. The texts constitute innovative approaches in the fields of sound historiography, musical audition, synchronization mechanisms for silent films, accompaniment practices, early sound national productions, unusual Hollywood musical composition practices, as well as sound outside film theatres (home cinema, television and resources on the Internet). Technical contributions pursue the theoretical inquiries by means of examples of restoration and conservation of sound material.
This volume gathers contributions from reputed historians and theorists in the broad area of sound studies, presented at the international ARCHIMEDIA conference held in Brussels in October 2000. The texts constitute innovative approaches in the fields of sound historiography, musical audition, synchronization mechanisms for silent films, accompaniment practices, early sound national productions, unusual Hollywood musical composition practices, as well as sound outside film theatres (home cinema, television and resources on the Internet). Technical contributions pursue the theoretical inquiries by means of examples of restoration and conservation of sound material.
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