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Solos

- One Hundred Poems, 2017-2020

Bag om Solos

Al Basile''s poems have style, joy, and - above all - verve. Sometimes they unfold with the lyric expansiveness of great jazz solos. Sometimes they shine as beautifully jeweled miniatures. What a pleasure to read a book of poems with such unabashed energy. Al Basile''s playful ease with the pentameter line bespeaks a sensibility trained in the subtleties of musical rhythm and voice. Turn almost anywhere in this rich collection from five decades and you''ll find "an instinct for the game, and more." He produces poems that are almost holographic in their insistence on bringing their author into the reader''s space, where he - his tone of voice, body language and facial expressions - constitute an uncanny presence. The very title of the book identifies the author as a music-maker determined to be heard, and as a poet whose first concern is achieving the tone in which he wants to be heard by the reader.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781943826780
  • Indbinding:
  • Paperback
  • Sideantal:
  • 242
  • Udgivet:
  • 15. Marts 2021
  • Størrelse:
  • 152x229x14 mm.
  • Vægt:
  • 358 g.
  • 2-3 uger.
  • 9. Oktober 2024

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Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Solos

Al Basile''s poems have style, joy, and - above all - verve. Sometimes they unfold with the lyric expansiveness of great jazz solos. Sometimes they shine as beautifully jeweled miniatures. What a pleasure to read a book of poems with such unabashed energy. Al Basile''s playful ease with the pentameter line bespeaks a sensibility trained in the subtleties of musical rhythm and voice. Turn almost anywhere in this rich collection from five decades and you''ll find "an instinct for the game, and more." He produces poems that are almost holographic in their insistence on bringing their author into the reader''s space, where he - his tone of voice, body language and facial expressions - constitute an uncanny presence. The very title of the book identifies the author as a music-maker determined to be heard, and as a poet whose first concern is achieving the tone in which he wants to be heard by the reader.

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