Risible Rhymes
indgår i Library of Arabic Literature serien
- Indbinding:
- Hardback
- Sideantal:
- 128
- Udgivet:
- 4. oktober 2016
- Størrelse:
- 152x229x15 mm.
- Vægt:
- 318 g.
- 8-11 hverdage.
- 9. december 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Risible Rhymes
Written in mid-17th century
Egypt, Risible Rhymes
is in part a short, comic disquisition on “rural” verse, mocking the
pretensions and absurdities of uneducated poets from Egypt’s countryside.
The interest
in the countryside as a cultural, social, economic, and religious locus in
its own right that is hinted at in this work may be unique in pre-twentieth-century
Arabic literature. As such, the work provides a companion piece to its slightly
younger contemporary, Yusuf al-Shirbini’s Brains Confounded by the Ode of Abu
Shaduf Expounded, which also takes examples of mock-rural poems and
subjects them to grammatical analysis. The overlap between the two texts may
indicate that they both emanate from a common corpus of pseudo-rural verse that
circulated in Ottoman Egypt.
Risible Rhymes also examines various kinds of puzzle
poems—another popular genre of the day—and presents a debate between scholars
over a line of verse by the tenth-century poet al-Mutanabbi. Taken as a whole, Risible
Rhymes offers intriguing insight into the critical concerns of mid-Ottoman
Egypt, showcasing the intense preoccupation with wordplay, grammar, and
stylistics that dominated discussions of poetry in al-Sanhuri’s day and
shedding light on the literature of this understudied era.
Egypt, Risible Rhymes
is in part a short, comic disquisition on “rural” verse, mocking the
pretensions and absurdities of uneducated poets from Egypt’s countryside.
The interest
in the countryside as a cultural, social, economic, and religious locus in
its own right that is hinted at in this work may be unique in pre-twentieth-century
Arabic literature. As such, the work provides a companion piece to its slightly
younger contemporary, Yusuf al-Shirbini’s Brains Confounded by the Ode of Abu
Shaduf Expounded, which also takes examples of mock-rural poems and
subjects them to grammatical analysis. The overlap between the two texts may
indicate that they both emanate from a common corpus of pseudo-rural verse that
circulated in Ottoman Egypt.
Risible Rhymes also examines various kinds of puzzle
poems—another popular genre of the day—and presents a debate between scholars
over a line of verse by the tenth-century poet al-Mutanabbi. Taken as a whole, Risible
Rhymes offers intriguing insight into the critical concerns of mid-Ottoman
Egypt, showcasing the intense preoccupation with wordplay, grammar, and
stylistics that dominated discussions of poetry in al-Sanhuri’s day and
shedding light on the literature of this understudied era.
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