Refocus: the Films of Rakhshan Banietemad
- Indbinding:
- Hardback
- Sideantal:
- 264
- Udgivet:
- 31. maj 2021
- Størrelse:
- 240x162x23 mm.
- Vægt:
- 550 g.
- 2-3 uger.
- 23. januar 2025
På lager
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Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Refocus: the Films of Rakhshan Banietemad
Rakshi Banietemad is one of Iran's first female film directors. This book, the first English language study of her films and career, contains chapters by some of the most prominent scholars of Iranian cinema, as well as younger scholars with fresh points of view.
Taking an interdisciplinary perspective, the book gives special attention to Banietemad's under-studied documentaries and films, including Under the Skin of the City (2000) and Tales (2014), while offering new perspectives on well-known works such as The Blue Veiled (1994) and The May Lady (1997). The contributors focus on questions of aesthetics and poetics, social realism, gender dynamics and the 'afterimages' and 'counter-memories' of revolution and war, and the book also includes an in-depth interview with Banietemad herself.
Maryam Ghorbankarimi is a Lecturer in Film at Lancaster University. Her research concentrates on Iranian Cinema and transnational cinema and cultures, specifically the representation of gender in Middle Eastern cinemas.
Taking an interdisciplinary perspective, the book gives special attention to Banietemad's under-studied documentaries and films, including Under the Skin of the City (2000) and Tales (2014), while offering new perspectives on well-known works such as The Blue Veiled (1994) and The May Lady (1997). The contributors focus on questions of aesthetics and poetics, social realism, gender dynamics and the 'afterimages' and 'counter-memories' of revolution and war, and the book also includes an in-depth interview with Banietemad herself.
Maryam Ghorbankarimi is a Lecturer in Film at Lancaster University. Her research concentrates on Iranian Cinema and transnational cinema and cultures, specifically the representation of gender in Middle Eastern cinemas.
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