Red Winds
- A VSO in Tanzania
- Indbinding:
- Paperback
- Sideantal:
- 120
- Udgivet:
- 5. april 2018
- Størrelse:
- 147x208x11 mm.
- Vægt:
- 178 g.
- 8-11 hverdage.
- 7. december 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Red Winds
Red Winds is an account of Irma Upex-Huggins' time with the VSO in Tanzania, living and working in an environment of extreme poverty, and it charts her journey through the country and through illness and recovery from a serious accident. Red Winds is a combination of poetry and prose, letters from Africa.
Irma was born in Antigua in the West Indies, finished school in Nevis and came to live in England. But as a black woman now coming from England to Tanzania she has a sense of dislocation, 'an uncomfortable sense of my 'not-belonging': when I feel that my 'Africanness' is still wandering in the Diaspora', when asked 'Kabila Gani?', meaning what is your Tribe, her reply is 'Sina'- I have none. She is marked as an Outsider by her lack of Swahili, and even by her hair, worn in a style of Maasai men.
Irma is called 'Mzungu', 'different', and she writes as an Outsider of the land and the people, mostly the people. Not having a common language, she watches people closely and with compassion of their lives and their deaths. Irma is a great storyteller and her poetry has a wonderful clarity. Irma has left her own river and finds, in this new river of Africa, 'fullness and beauty'.
Irma was born in Antigua in the West Indies, finished school in Nevis and came to live in England. But as a black woman now coming from England to Tanzania she has a sense of dislocation, 'an uncomfortable sense of my 'not-belonging': when I feel that my 'Africanness' is still wandering in the Diaspora', when asked 'Kabila Gani?', meaning what is your Tribe, her reply is 'Sina'- I have none. She is marked as an Outsider by her lack of Swahili, and even by her hair, worn in a style of Maasai men.
Irma is called 'Mzungu', 'different', and she writes as an Outsider of the land and the people, mostly the people. Not having a common language, she watches people closely and with compassion of their lives and their deaths. Irma is a great storyteller and her poetry has a wonderful clarity. Irma has left her own river and finds, in this new river of Africa, 'fullness and beauty'.
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