Red Chair
indgår i Modern Plays serien
- Indbinding:
- Paperback
- Sideantal:
- 80
- Udgivet:
- 24. februar 2015
- Størrelse:
- 199x131x11 mm.
- Vægt:
- 96 g.
- 8-11 hverdage.
- 28. november 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Red Chair
Let us tell you a strange tale that did unfold someplace in the glum north o'the warld, where there lived a Man who could not stop eating, a Woman doomed to cook his meals and one 'inveesible child'.
Told in a rich and saucy Scots dialect with physical verve, a wee dram of whisky to oil the way and a musical score that rolls in like mist over the hills, The Red Chair sees acclaimed Scottish performer Sarah Cameron steer us through a landscape of twisted reason, extreme compulsion and eye-watering complacency, where domestic drudgery happens on an operatic scale and a father's dereliction of duty reaches epic proportions.
The Red Chair is based on Sarah's original book that had its first public reading as part of The House of Fairytales at the Port Eliot Festival. It lies somewhere between a Grimm's Tale, an absurdist ghost story and a parent's guide on how not to bring up children.
Told in a rich and saucy Scots dialect with physical verve, a wee dram of whisky to oil the way and a musical score that rolls in like mist over the hills, The Red Chair sees acclaimed Scottish performer Sarah Cameron steer us through a landscape of twisted reason, extreme compulsion and eye-watering complacency, where domestic drudgery happens on an operatic scale and a father's dereliction of duty reaches epic proportions.
The Red Chair is based on Sarah's original book that had its first public reading as part of The House of Fairytales at the Port Eliot Festival. It lies somewhere between a Grimm's Tale, an absurdist ghost story and a parent's guide on how not to bring up children.
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