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Radio Cologne Sound

Bag om Radio Cologne Sound

Rarely has a radio institution left such a mark on music history in such a short space of time. Founded in 1951, the WDR Studio for Electronic Music hit the headlines early on, at times transforming Cologne into the metropolis of new music, attracting not only composers.Radio Cologne Sound traces the eventful history of the studio in essays, recordings, pictures and personal memories: from the golden 50s and 60s through times of opening and stagnation to the late heyday. Three portraits are dedicated to the studio directors Herbert Eimert, Karlheinz Stockhausen and York Höller. Other texts shed light on the intense interplay between technology and aesthetics, the teamwork in the studio, its international appeal and the important question of performance practice: How can electronic music be brought to the stage when the technology has long been ready for the museum?The heart of the book is the sound of "Radio Cologne": 28 tracks on five CDs allow us to look back over half a century.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783955932596
  • Indbinding:
  • Paperback
  • Sideantal:
  • 288
  • Udgivet:
  • 15. december 2023
  • Størrelse:
  • 148x30x221 mm.
  • Vægt:
  • 598 g.
  • Ukendt - mangler pt..

Normalpris

Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Radio Cologne Sound

Rarely has a radio institution left such a mark on music history in such a short space of time. Founded in 1951, the WDR Studio for Electronic Music hit the headlines early on, at times transforming Cologne into the metropolis of new music, attracting not only composers.Radio Cologne Sound traces the eventful history of the studio in essays, recordings, pictures and personal memories: from the golden 50s and 60s through times of opening and stagnation to the late heyday. Three portraits are dedicated to the studio directors Herbert Eimert, Karlheinz Stockhausen and York Höller. Other texts shed light on the intense interplay between technology and aesthetics, the teamwork in the studio, its international appeal and the important question of performance practice: How can electronic music be brought to the stage when the technology has long been ready for the museum?The heart of the book is the sound of "Radio Cologne": 28 tracks on five CDs allow us to look back over half a century.

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