Profiles in Gay Courage
- Indbinding:
- Paperback
- Sideantal:
- 244
- Udgivet:
- 14. maj 2022
- Størrelse:
- 152x15x229 mm.
- Vægt:
- 402 g.
- 2-3 uger.
- 2. december 2024
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Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Profiles in Gay Courage
WINNER! Independent Press Award: LGBT NonfictionDISTINGUISHED FAVORITE! NYC Big Book Award: LGBT NonfictionPINNACLE BOOK ACHIEVEMENT AWARD: LGBT Nonfiction
Jack Fritscher, the founding San Francisco editor-in-chief of Drummer magazine and curator of the Drummer Archives since 1977, is the award-winning author of twenty books popular with readers and researchers including memoirs of his bicoastal lover Robert Mapplethorpe, his friend Larry (Leatherman's Handbook) Townsend, and his "gentleman caller" Tennessee Williams. His new Profiles is holistic gay history written by a New Journalist who lived the life.
In essays, interviews, and photos, Fritscher's masterful writing sheds new Gay Pride light on authentic leatherfolk founders, icons, and superstars too often under-reported by gatekeepers of gay-history timelines: AIDS poet, Thom Gunn; race-sex-and-gender photographer, Robert Mapplethorpe; Society of Janus founder, Cynthia Slater; Mineshaft manager, Wally Wallace; godfather of gay writing, Samuel Steward; young Provincetown playwright, Tennessee Williams; filmmaker Wakefield Poole's art-director, Ed Parente; Old Reliable Video hustler-art photographer, David Hurles; leather fashion designer, Rob of Amsterdam; and the filmmakers of the 1975 classic Born to Raise Hell, Terry LeGrand and Roger Earl.
With his first gay writing (on James Dean) published in 1962, Fritscher at 83 reaches across 60 years of gay life into his journals and heart to examine our lost midcentury world as he did in Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982 which The Advocate called the "Gay Gone With the Wind."
GMSMA president-historian David Stein confirmed to the Leather Leadership Conference that "Fritscher, one of the great Drummer editors, seems to have been everywhere and done everyone during the 'good old days' of leather culture."
Jack Fritscher, the founding San Francisco editor-in-chief of Drummer magazine and curator of the Drummer Archives since 1977, is the award-winning author of twenty books popular with readers and researchers including memoirs of his bicoastal lover Robert Mapplethorpe, his friend Larry (Leatherman's Handbook) Townsend, and his "gentleman caller" Tennessee Williams. His new Profiles is holistic gay history written by a New Journalist who lived the life.
In essays, interviews, and photos, Fritscher's masterful writing sheds new Gay Pride light on authentic leatherfolk founders, icons, and superstars too often under-reported by gatekeepers of gay-history timelines: AIDS poet, Thom Gunn; race-sex-and-gender photographer, Robert Mapplethorpe; Society of Janus founder, Cynthia Slater; Mineshaft manager, Wally Wallace; godfather of gay writing, Samuel Steward; young Provincetown playwright, Tennessee Williams; filmmaker Wakefield Poole's art-director, Ed Parente; Old Reliable Video hustler-art photographer, David Hurles; leather fashion designer, Rob of Amsterdam; and the filmmakers of the 1975 classic Born to Raise Hell, Terry LeGrand and Roger Earl.
With his first gay writing (on James Dean) published in 1962, Fritscher at 83 reaches across 60 years of gay life into his journals and heart to examine our lost midcentury world as he did in Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982 which The Advocate called the "Gay Gone With the Wind."
GMSMA president-historian David Stein confirmed to the Leather Leadership Conference that "Fritscher, one of the great Drummer editors, seems to have been everywhere and done everyone during the 'good old days' of leather culture."
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