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Posthumanist Perspectives on Literary and Cultural Animals

indgår i Issues in Literature and Culture serien

Posthumanist Perspectives on Literary and Cultural Animals
Bag om Posthumanist Perspectives on Literary and Cultural Animals

1. Zoohistoricism: Literary animals as codes in history and culture.- 2. Can natural theology rethink its relationship with non-human animals?.- 3. Jacques Derrida and the Autobiographical (Non-Human) Animal: An Analysis of (False) Animal Autobiographies.- 4. Reassessing Predatory Animals in Literary Journalism: A Look at John Vaillant''s The Tiger and Nate Blakeslee''s The Wolf.- 5.The Bird and Eye: Kinship with Birds as Proto-Ecofeminist Discourse of Liberation in George Meredith''s The Egoist.- 6. Deconstructing the Human-Animal Hierarchy at the End of the World: Readings in Literary Representation of Apocalypse.- 7. The Snake Has A Face: Levinas, Mondo, and the Suffering Non-Human Animal.- 8. Bowers of Persuasion: Toward a Posthuman Visual Rhetoric.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783030761585
  • Indbinding:
  • Hardback
  • Sideantal:
  • 188
  • Udgivet:
  • 12. september 2021
  • Udgave:
  • 12021
  • Størrelse:
  • 155x235x0 mm.
  • Vægt:
  • 477 g.
  • 8-11 hverdage.
  • 9. december 2024

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Beskrivelse af Posthumanist Perspectives on Literary and Cultural Animals

1. Zoohistoricism: Literary animals as codes in history and culture.- 2. Can natural theology rethink its relationship with non-human animals?.- 3. Jacques Derrida and the Autobiographical (Non-Human) Animal: An Analysis of (False) Animal Autobiographies.- 4. Reassessing Predatory Animals in Literary Journalism: A Look at John Vaillant''s The Tiger and Nate Blakeslee''s The Wolf.- 5.The Bird and Eye: Kinship with Birds as Proto-Ecofeminist Discourse of Liberation in George Meredith''s The Egoist.- 6. Deconstructing the Human-Animal Hierarchy at the End of the World: Readings in Literary Representation of Apocalypse.- 7. The Snake Has A Face: Levinas, Mondo, and the Suffering Non-Human Animal.- 8. Bowers of Persuasion: Toward a Posthuman Visual Rhetoric.

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