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Poland-China

- Art and Cultural Heritage

Bag om Poland-China

The book documents an exceptional event--the first conference joining Polish and Chinese art historians, organized by the Polish Society of Oriental Art, now the Polish Institute of World Art Studies in Warsaw and Confucius Institute of Jagiellonian University in 2009. The outcome of this meeting is a collection of texts covering various topics. They include syntheses of different periods and phenomena through the history of Polish and Chinese art; the rarely investigated matters of the artistic contacts between both countries, especially as researched and presented from the Chinese point of view; and the reflections on affinities and common tendencies in modern and contemporary art of China and Poland. The whole volume allows the comparison of the areas of interest and approaches presented by art historians of both countries, as well as insight into the Polish research on the Chinese art, now developing very dynamically. It is worth mentioning that the Chinese version of the volume will appear soon.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9788323332350
  • Indbinding:
  • Hardback
  • Sideantal:
  • 348
  • Udgivet:
  • 22. juni 2008
  • Ukendt - mangler pt..

Normalpris

Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Poland-China

The book documents an exceptional event--the first conference joining Polish and Chinese art historians, organized by the Polish Society of Oriental Art, now the Polish Institute of World Art Studies in Warsaw and Confucius Institute of Jagiellonian University in 2009. The outcome of this meeting is a collection of texts covering various topics. They include syntheses of different periods and phenomena through the history of Polish and Chinese art; the rarely investigated matters of the artistic contacts between both countries, especially as researched and presented from the Chinese point of view; and the reflections on affinities and common tendencies in modern and contemporary art of China and Poland. The whole volume allows the comparison of the areas of interest and approaches presented by art historians of both countries, as well as insight into the Polish research on the Chinese art, now developing very dynamically. It is worth mentioning that the Chinese version of the volume will appear soon.

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