Poems by William Cullen Bryant
- Classic American Poetry of the Romantic Era (Hardcover)
- Indbinding:
- Hardback
- Sideantal:
- 144
- Udgivet:
- 16. juli 2018
- Størrelse:
- 237x159x18 mm.
- Vægt:
- 362 g.
- 8-11 hverdage.
- 28. november 2024
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Poems by William Cullen Bryant
This supreme collection of William Cullen Bryant's poetry includes his original works, his unique translations of several classic poems, plus an anthology of little-seen verses he composed in later life.
A highly regarded poet of the romantic era, Bryant was rarely out of the American public's eye. For many years he served as editor of the popular newspaper the New York Evening Post, as well as contributing poems and essays to several other magazines and periodicals, Bryant's name was synonymous with the USA's fledgling artistic expression and literature throughout much of the nineteenth century.
Bryant's most famous poem, Thanatopsis, was subject to much surprise in that many assumed it had been plagiarized, or at least ghost-written, by a European poet. When it was published in the early nineteenth century, there had been little romantic poetry of such quality produced by an American.
A highly regarded poet of the romantic era, Bryant was rarely out of the American public's eye. For many years he served as editor of the popular newspaper the New York Evening Post, as well as contributing poems and essays to several other magazines and periodicals, Bryant's name was synonymous with the USA's fledgling artistic expression and literature throughout much of the nineteenth century.
Bryant's most famous poem, Thanatopsis, was subject to much surprise in that many assumed it had been plagiarized, or at least ghost-written, by a European poet. When it was published in the early nineteenth century, there had been little romantic poetry of such quality produced by an American.
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