Pigeon Hill - Then & Now
- Indbinding:
- Hardback
- Sideantal:
- 96
- Udgivet:
- 7. marts 2017
- Størrelse:
- 292x244x13 mm.
- Vægt:
- 862 g.
- Ukendt - mangler pt..
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Pigeon Hill - Then & Now
DAS AUF AMAZON.DE ANGEGEBENE ERSCHEINUNGSDATUM BEZIEHT SICH NUR AUF USA. DER TITEL IST IN EUROPA AB NOVEMBER 2016 LIEFERBAR, AUCH DURCH AMAZON.DE /
THE PUBLICATION DATE INDICATED HERE IS ONLY FOR USA. THIS TITLE IS AVAILABLE IN EUROPE FROM NOVEMBER 2016, ALSO ON AMAZON.DE
From 1987 to 1991, Jeffrey Wolin made hundreds of portraits showing residents of Bloomington's, Indiana, housing projects, known as "Pigeon Hill." At the time there was much discussion about the problems of the welfare state with crime, drug abuse, and enduring poverty. Over the past five years Wolin re-photographed over 100 individuals. His focus is on the faces themselves paired with the earlier portraits. One can see the effects of the passing of time and the ways in which experiences in life--good and bad--are written into these open and expressive faces.
THE PUBLICATION DATE INDICATED HERE IS ONLY FOR USA. THIS TITLE IS AVAILABLE IN EUROPE FROM NOVEMBER 2016, ALSO ON AMAZON.DE
From 1987 to 1991, Jeffrey Wolin made hundreds of portraits showing residents of Bloomington's, Indiana, housing projects, known as "Pigeon Hill." At the time there was much discussion about the problems of the welfare state with crime, drug abuse, and enduring poverty. Over the past five years Wolin re-photographed over 100 individuals. His focus is on the faces themselves paired with the earlier portraits. One can see the effects of the passing of time and the ways in which experiences in life--good and bad--are written into these open and expressive faces.
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