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Osmos Magazine: Issue 21

Bag om Osmos Magazine: Issue 21

Rare drawings by Fumio Yoshimura, paintings by Erik Schmidt and more, in the latest OSMOSFounder and editor of OSMOS Magazine Cay Sophie Rabinowitz (formerly of Parkett and Fantom) describes the publication as "an art magazine about the use and abuse of photography." The magazine is divided into thematic sections--some traditional, and others more idiosyncratic. OSMOS Magazine issue 21 features an essay about the rare series of pen-and-ink drawings that Fumio Yoshimura created for a legal defense fundraiser he and Kate Millet organized when Peggy Dobbins was arrested at the 1968 Miss America pageant protest. The reportage is by Chris Jordan. Also included is a portfolio of recent paintings by Berlin-based artist Erik Schmidt; Drew Sawyer writes on Oren Pinhassi; and the cover features a detail from Camel Collective's 2018 exhibition titled Grip.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780990698081
  • Indbinding:
  • Paperback
  • Sideantal:
  • 96
  • Udgivet:
  • 17. marts 2022
  • Størrelse:
  • 213x277x10 mm.
  • Vægt:
  • 431 g.
  • Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025

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- Adgang til 70.000+ titler
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Ingen binding og kan opsiges når som helst.

Beskrivelse af Osmos Magazine: Issue 21

Rare drawings by Fumio Yoshimura, paintings by Erik Schmidt and more, in the latest OSMOSFounder and editor of OSMOS Magazine Cay Sophie Rabinowitz (formerly of Parkett and Fantom) describes the publication as "an art magazine about the use and abuse of photography." The magazine is divided into thematic sections--some traditional, and others more idiosyncratic. OSMOS Magazine issue 21 features an essay about the rare series of pen-and-ink drawings that Fumio Yoshimura created for a legal defense fundraiser he and Kate Millet organized when Peggy Dobbins was arrested at the 1968 Miss America pageant protest. The reportage is by Chris Jordan. Also included is a portfolio of recent paintings by Berlin-based artist Erik Schmidt; Drew Sawyer writes on Oren Pinhassi; and the cover features a detail from Camel Collective's 2018 exhibition titled Grip.

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