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Osmos Magazine: Issue 12

Bag om Osmos Magazine: Issue 12

OSMOS Magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue, OSMOS Magazine #12, with a stunning cover by conceptual photographer Bing Wright, features an essay by Peter Weibel on interface technology in the film work of Kathryn Bigelow, a portfolio on Peter Funch, Simon Leung's survey of recent work by Lincoln Tobier, and rare documentation about Ursula Block's infamous record store and gallery, gelbe MUSIK, founded in 1981 as the Berlin outlet for experimental sound art and music.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780986166594
  • Indbinding:
  • Paperback
  • Sideantal:
  • 96
  • Udgivet:
  • 25. juli 2017
  • Størrelse:
  • 243x15x279 mm.
  • Vægt:
  • 507 g.
  • 2-3 uger.
  • 14. december 2024
På lager
Forlænget returret til d. 31. januar 2025

Normalpris

Abonnementspris

- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Osmos Magazine: Issue 12

OSMOS Magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue, OSMOS Magazine #12, with a stunning cover by conceptual photographer Bing Wright, features an essay by Peter Weibel on interface technology in the film work of Kathryn Bigelow, a portfolio on Peter Funch, Simon Leung's survey of recent work by Lincoln Tobier, and rare documentation about Ursula Block's infamous record store and gallery, gelbe MUSIK, founded in 1981 as the Berlin outlet for experimental sound art and music.

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