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Osmos Magazine: Issue 11

Bag om Osmos Magazine: Issue 11

OSMOS Magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue includes a feature by contributing editor Tom McDonough on photographer Eileen Quinlan, reportage by photographer Alex Welsh, an essay by Jeffrey Kirkwood describing his research on the innovative Swiss artist and filmmaker Klaus Lutz, and an examination of Paris-based Dove Allouche by curator Drew Sawyer.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780986166570
  • Indbinding:
  • Paperback
  • Sideantal:
  • 96
  • Udgivet:
  • 28. marts 2017
  • Størrelse:
  • 213x10x277 mm.
  • Vægt:
  • 499 g.
  • 8-11 hverdage.
  • 10. december 2024
På lager
Forlænget returret til d. 31. januar 2025

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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
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- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Osmos Magazine: Issue 11

OSMOS Magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue includes a feature by contributing editor Tom McDonough on photographer Eileen Quinlan, reportage by photographer Alex Welsh, an essay by Jeffrey Kirkwood describing his research on the innovative Swiss artist and filmmaker Klaus Lutz, and an examination of Paris-based Dove Allouche by curator Drew Sawyer.

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