Müller, U: OPEN MIND PLACES
- Indbinding:
- Hardback
- Sideantal:
- 151
- Udgivet:
- 14. december 2020
- Størrelse:
- 238x20x304 mm.
- Vægt:
- 1122 g.
- Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
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- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Müller, U: OPEN MIND PLACES
In many western countries, the material living standard of most people
has reached an unprecedented height. Parallel to nearly unlimited
consumption possibilities, digital media promises a golden future through
an unlimited exchange of contacts and information. This status quo is
accompanied by the fact that the majority of us are experiencing the
longest period of humanity in peace - what a gift!
Nevertheless, the price of this success, with its undisputedly fascinating
only exploits the planet unrestrainedly but at the same time exhausts its
actors. All of us are aware of the consequences of uninterrupted "faster,
higher, further": the overabundance of digital information mutates into
constant manipulative bombardment, the high number of "friends"
constant availability leads to a depletive permanent presence. Last but
not least, many people perceive the increasing alienation from nature
as a substantial loss.
Christoph Hesse caught this process as an opportunity to develop the
"Open Mind Places" project for his hometown Referinghausen. It consists
of 9 near-natural follies that invite visitors and hikers alike to pause,
life, respect for fellow human beings and mindfulness towards nature.
Since it is a low-budget project, Hesse designed the follies as simple
constructions made from locally available materials that has been
erected on a voluntary basis with the help of his family, local residents,
and craftsmen friends.
For the gallery, the exhibition represents an important facet of the
debate on the role and tasks that contemporary architecture has.
Besides the market-oriented tendencies shaped by global architecture
are extremely important. They in fact show the presence not only of
other ideas and lifestyles, but that commitment to them is worthwhile.
Especially when they lead to an architecture that perfectly balances
the relationship between art and nature.
has reached an unprecedented height. Parallel to nearly unlimited
consumption possibilities, digital media promises a golden future through
an unlimited exchange of contacts and information. This status quo is
accompanied by the fact that the majority of us are experiencing the
longest period of humanity in peace - what a gift!
Nevertheless, the price of this success, with its undisputedly fascinating
only exploits the planet unrestrainedly but at the same time exhausts its
actors. All of us are aware of the consequences of uninterrupted "faster,
higher, further": the overabundance of digital information mutates into
constant manipulative bombardment, the high number of "friends"
constant availability leads to a depletive permanent presence. Last but
not least, many people perceive the increasing alienation from nature
as a substantial loss.
Christoph Hesse caught this process as an opportunity to develop the
"Open Mind Places" project for his hometown Referinghausen. It consists
of 9 near-natural follies that invite visitors and hikers alike to pause,
life, respect for fellow human beings and mindfulness towards nature.
Since it is a low-budget project, Hesse designed the follies as simple
constructions made from locally available materials that has been
erected on a voluntary basis with the help of his family, local residents,
and craftsmen friends.
For the gallery, the exhibition represents an important facet of the
debate on the role and tasks that contemporary architecture has.
Besides the market-oriented tendencies shaped by global architecture
are extremely important. They in fact show the presence not only of
other ideas and lifestyles, but that commitment to them is worthwhile.
Especially when they lead to an architecture that perfectly balances
the relationship between art and nature.
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