Marsden Hartley
- American Modern
- Indbinding:
- Paperback
- Sideantal:
- 84
- Udgivet:
- 1. juni 2006
- Størrelse:
- 306x280x11 mm.
- Vægt:
- 556 g.
- Ukendt - mangler pt..
Forlænget returret til d. 31. januar 2025
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Marsden Hartley
Marsden Hartley (1877-1943), one of the most important artists from the American early modern period, was part of the heady group surrounding Alfred Stieglitz and his galleries in the early decades of the twentieth century. While New York and Stieglitz acted as a base of support and friendship for Hartley, he constantly shifted from place to place, living abroad and in varying locales across the country. Marsden Hartley: An American Modern traces the artistsΓÇÖs movements and the evolution in his thinking and art.
For the first 40 years of his life, Hartley pursued the ideals and philosophical principles of American transcendentalism. He shifted radically from his approach after the First World War. Instead of embracing subjectivity, he honored rational intellect and objectivity. Toward the end of his life, he returned to a passionate belief in the subjective self. Patricia McDonnell analyzes HartleyΓÇÖs beliefs and artistic practice in the context of the cultural and political realities that deeply affected the man and his times
This completely redesigned version of the catalogue published by the Weisman Art Museum in 1997 features an expanded section of color plates.
For the first 40 years of his life, Hartley pursued the ideals and philosophical principles of American transcendentalism. He shifted radically from his approach after the First World War. Instead of embracing subjectivity, he honored rational intellect and objectivity. Toward the end of his life, he returned to a passionate belief in the subjective self. Patricia McDonnell analyzes HartleyΓÇÖs beliefs and artistic practice in the context of the cultural and political realities that deeply affected the man and his times
This completely redesigned version of the catalogue published by the Weisman Art Museum in 1997 features an expanded section of color plates.
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