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Making a Way Out of No Way

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A richly imagined, photo illustrated narrative of 150 years of life in slavery on tobacco plantations in Southern Maryland For over 165 years, plantation owners in Southern Maryland depended on the labor of enslaved men, women, and children to bring in the tobacco crop. The photographs and stories in this book grew out of the author's quest to understand how these people, who were subjected to a system that made every attempt to brutalize and dehumanize them, were able not only to survive but to build families and meaningful lives. Author Merideth Taylor has created a credible, well-researched, richly imagined world that is both informative and moving. The traditional central figure and linear plot of the novel has been replaced by an interwoven collage of scenes and community of characters, that reflect the diversity of experience, "silences," and incompleteness of the historical record. Her choice to largely avoid graphic depictions of the violence perpetrated on enslaved bodies allows the reader to focus, instead, on the remarkable resilience, ingenuity, skills, and cultural strengths that enabled them to make a way out of no way. Author royalties will be donated to Historic Sotterley's Descendant's Project.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781613322406
  • Indbinding:
  • Hardback
  • Sideantal:
  • 208
  • Udgivet:
  • 4. Juni 2024
  • 2-3 uger.
  • 9. Oktober 2024
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Beskrivelse af Making a Way Out of No Way

A richly imagined, photo illustrated narrative of 150 years of life in slavery on tobacco plantations in Southern Maryland
For over 165 years, plantation owners in Southern Maryland depended on the labor of enslaved men, women, and children to bring in the tobacco crop. The photographs and stories in this book grew out of the author's quest to understand how these people, who were subjected to a system that made every attempt to brutalize and dehumanize them, were able not only to survive but to build families and meaningful lives. Author Merideth Taylor has created a credible, well-researched, richly imagined world that is both informative and moving. The traditional central figure and linear plot of the novel has been replaced by an interwoven collage of scenes and community of characters, that reflect the diversity of experience, "silences," and incompleteness of the historical record. Her choice to largely avoid graphic depictions of the violence perpetrated on enslaved bodies allows the reader to focus, instead, on the remarkable resilience, ingenuity, skills, and cultural strengths that enabled them to make a way out of no way.
Author royalties will be donated to Historic Sotterley's Descendant's Project.

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