Lucy Kemp-Welch 1869-1958
- Indbinding:
- Hardback
- Sideantal:
- 224
- Udgivet:
- 16. marts 2023
- Størrelse:
- 300x24x254 mm.
- Vægt:
- 1612 g.
- Ukendt - mangler pt..
Normalpris
Abonnementspris
- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding
Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.
Beskrivelse af Lucy Kemp-Welch 1869-1958
Over the course of a long and very successful career spanning the first half of the 20th century, Lucy Kemp-Welch established herself as one of the leading equestrian painters at work in the UK and one of the country's best-known women artists. David Boyd Haycock's new, extensively illustrated biography of Kemp-Welch brings this remarkable artist and her work back into sharp focus.
Born in 1869, Kemp-Welch first came to the art establishment's attention in 1897 when her immense painting,
Colt Hunting in the New Forest
, caused a sensation at the Royal Academy's Summer Exhibition; the work was bought for the Nation by the Chantry Bequest in the year of exhibition. In 1915, she illustrated Anna Sewell's
Black Beauty
, and was commissioned to paint images for the Government during the First World War. Later, the mural
Women's Work in the Great War
, was placed in the Royal Exchange in London, where it remains to this day.
Respected art writer and curator Boyd-Haycock shines new light on Kemp-Welch's life, writing from a 21st-century perspective and reflecting on her as a female painter in a male-dominated environment. Alongside Kemp-Welch's paintings, the book will feature exclusive period photographs of the artist herself, shown at work and in her studio.
Born in 1869, Kemp-Welch first came to the art establishment's attention in 1897 when her immense painting,
Colt Hunting in the New Forest
, caused a sensation at the Royal Academy's Summer Exhibition; the work was bought for the Nation by the Chantry Bequest in the year of exhibition. In 1915, she illustrated Anna Sewell's
Black Beauty
, and was commissioned to paint images for the Government during the First World War. Later, the mural
Women's Work in the Great War
, was placed in the Royal Exchange in London, where it remains to this day.
Respected art writer and curator Boyd-Haycock shines new light on Kemp-Welch's life, writing from a 21st-century perspective and reflecting on her as a female painter in a male-dominated environment. Alongside Kemp-Welch's paintings, the book will feature exclusive period photographs of the artist herself, shown at work and in her studio.
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