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Love Slave

Bag om Love Slave

"I can write the pants off any man," declares Sybil Weatherfield, the plucky hero of Jennifer Spiegel’s Love Slave. A literary novel set in 1995 New York, Love Slave follows Weatherfield and her strange friends as they frustrate chick-lit expectations (though they’re unaware that they’re doing so) in this uproarious, genre-breaking spree. By day Sybil is an office temp, and by night she’s a columnist for New York Shock, a chatty rag in which she writes a column called "Abscess" — a wound that never heals. Her friends include a paper-pusher for a human rights organization, and the lead singer of a local rock band called Glass Half Empty. Full of cultural detail, mid-'90s observations, and early adulthood anxieties, Weatherfield’s story of finding love ultimately casts an ironic eye on what it means to be a love slave.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781609530822
  • Indbinding:
  • Paperback
  • Sideantal:
  • 280
  • Udgivet:
  • 20. september 2012
  • Størrelse:
  • 139x209x23 mm.
  • Vægt:
  • 354 g.
  • Ukendt - mangler pt..

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- Rabat på køb af fysiske bøger
- 1 valgfrit digitalt ugeblad
- 20 timers lytning og læsning
- Adgang til 70.000+ titler
- Ingen binding

Abonnementet koster 75 kr./md.
Ingen binding og kan opsiges når som helst.

Beskrivelse af Love Slave

"I can write the pants off any man," declares Sybil Weatherfield, the plucky hero of Jennifer Spiegel’s Love Slave. A literary novel set in 1995 New York, Love Slave follows Weatherfield and her strange friends as they frustrate chick-lit expectations (though they’re unaware that they’re doing so) in this uproarious, genre-breaking spree. By day Sybil is an office temp, and by night she’s a columnist for New York Shock, a chatty rag in which she writes a column called "Abscess" — a wound that never heals. Her friends include a paper-pusher for a human rights organization, and the lead singer of a local rock band called Glass Half Empty. Full of cultural detail, mid-'90s observations, and early adulthood anxieties, Weatherfield’s story of finding love ultimately casts an ironic eye on what it means to be a love slave.

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